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Another great night with some lovely South American wines tasted. Must also say thank you to the committee members who prepared food matches. The combination of food with the wines gave the evening an interesting perspective.
The wines tasted with food matches are repeated below:
2018 Vina Aquitina Rose (Chile)
2018 Casa Marin Cartagena Sauvignon Blanc (Chile) – South American Ceviche
2014 Queulat Carménère (Chile) – Steak with a Chimichurri sauce
If anyone is interested in any of the recipes used on the night, let me or Wayne know. We can provide. May I just point out though, that if anyone believes it is only 5 minutes preparation time for the Argentinian Fried Bread, they are delusional.
These words were uttered by the French-born English wine merchant and author André Simon in 1964 when tasting Hawke’s Bay winery Te Mata’s 1912 red blend. More than half a century after it was first made – the same year as the sinking of the Titanic – the red wine was still very much alive, so why has New Zealand not developed a reputation for making age worthy wines?
Two words: Sauvignon Blanc.
The New Zealand wine industry is dominated by a grape variety that is typically fermented and put into bottle within months – or even weeks – of being harvested. ‘Picked, pressed and pissed before Christmas’ is the life cycle of Sauvignon Blanc in some winemakers’ view. Why wait for Christmas when you can drink the wine before Easter? Moana Park winery has released a Sauvignon Blanc on April 1 and that was no April Fools. If the previous vintage has been small and stocks are running low, a few blocks might be picked early to produce a wine to bridge the gap between vintages, such as Villa Maria’s Early Release Sauvignon Blanc.
However, there are a growing number of smaller, quality focused producers that are holding back their Sauvignon Blancs before releasing, giving them time on lees and time in bottle. Having tasted some of Marlborough’s finest Sauvignon Blancs at seven or eight years old, drinkers need not be in such a hurry. Putting the brakes on wineries releasing wines doesn’t help their cash flow and with grape growers to pay and bank repayments due, accountants can overrule winemakers, putting the onus on drinkers to put the wines in their usually non-existent cellars.
It is partly a matter of wine culture: New Zealand does not have a long-standing tradition of making and drinking wine. Having rejected Prohibition in 1919, the country continued to operate under a cloud of abstemiousness, promoted by restrictive licensing laws. Until 1961, New Zealanders couldn’t enjoy a glass of wine with a meal in a restaurant. The 1960s brought licensing change with more and more restaurant licences granted, a rise in the number of wine shops while a rise in tax on beer and spirits in the 1958 ‘Black Budget’ gave wine an encouraging bump.
The 1950s witnessed the birth of aspirational winemakers and pioneers seeking to move away from fortified wine and hybrids to quality table wine made from vitis vinifera, which gained increasing momentum, culminating in legislation outlawing a sugar and water culture and a state-sponsored vine pull in the 1980s. In the 1970s, regular wine columns had appeared in several newspapers, catering for an educated population who had done their ‘OE’ (overseas experience), travelling around Europe, experiencing wine and food culture. From just 174ml of wine per capita in the early 1960s, wine consumption increased to 5.3 litres by the end of the 1970s. In 2016, the figure stood at 20.2 litres but has remained stagnant for a decade. (Come on team, get drinking, we have to lift this again – Ed)
Red wines in New Zealand, like whites, are all too often released early and consumed early, meaning there are few older vintages available to purchase and enjoy. There are relatively few wine collectors and fine dining restaurants with cellars and mature stocks of New Zealand wine and thus some wineries are starting to take responsibility for ageing their wines until they approach their drinking window. Judy Fowler, owner of Puriri Hills Vineyard in Clevedon, Auckland, which specialises in Bordeaux blends, has a Brunello di Montalcino approach to releasing her reds. “My late release policy is based on the fact that we attempt to produce Bordeaux-blended wines made in the longstanding traditions of Bordeaux. The great Bordeaux generally benefit from ageing five to 10 years or longer. Our wines are built to age well. However, we are a small, newer vineyard [established 1998] with perhaps another 300 years to earn the reputation for quality that the grands crus of Bordeaux have. As such, we do not expect our customers all to want to wait for five or more years to taste our wines at their best, so we do the ageing here at the vineyard before release.” While Fowler is not alone, most wineries don’t apply the release-when-ready-to-drink policy across the entire range, as it can leave suppliers wine-less and raise the prospect of delisting.
It is difficult to judge the ageability of New Zealand wines with so little precedent. In the past decade, young vines have matured, viticulture has evolved, winemaking has become more refined: a Pinot Noir produced 10 years ago from young vines by winemakers that were still getting to know their site will be quite different today than a current vintage opened in a decade’s time. When asked to provide drinking windows for a recent Central Otago Pinot Noir or Hawke’s Bay Cabernet Sauvignon, it is a case of pinning the tail on the donkey.
However, there’s no doubting the country’s best wines have the components to age gracefully: intensity of fruit, richness of ripe tannins, acidity (and pH), alcohol and magic all play their part in the development of a red wine. In whites, high levels of acidity and flavour precursors elongate their shelf life.
There’s also a small matter of the closure: screwcaps are omnipotent in New Zealand. Although a small but significant number of producers continue to seal their top Bordeaux blends under cork (while putting the rest of their range under screwcap), it is likely that the wines will age more slowly, because of the lower rate of oxygen ingress compared with a natural cork.
What is clear, is that far too many New Zealand wines are being consumed before they are out of nappies. It’s time to let them grow up.
This was a very enjoyable tasting. Cenna was a very knowledgeable presenter with a great relaxed style. She admitted to a few nerves to start with but was soon interacting nicely with the members. The wines presented were great wines at a good value for money. The tasting was a good night.
Whilst we haven’t used Negociants before, the fact that we are now licensed means we can deal with this type of operation in the future. We will keep it in mind to pencil Negociants in for another tasting soon, as they have a really good provider base.
Well our tasting for September was certainly different and a great learning experience. It’s not often you get to taste 11 wines from the period 1974 to 1996. And to help judge these wines, Wayne had organised a novel rating system that required each table to come up with a ratings that were [4] Superb -aged perfectly, [3] Still enjoyable or has interest, [2] Drinkable but dying, [1] Dead – nothing to commend it to lastly, [0] In decay – not even going to taste this.
He had also arranged for John Saker to attend the tasting and he proved to be a valuable contributor to our discussions, using his knowledge and wine judging skills to highlight things that many of us might not have considered. He particularly liked the Aussie 1990 McWilliams Mount Pleasant Elizabeth Semillon which still had some structure, fruit flavour and mouth feel.
However, it was on the decline from its probable peak 7 or 8 years ago. But still, it did show how a white wine such as a great Hunter Valley Semillon could last. Of the other 10 wines tasted, there were two 1994 wines that attracted the most support, a Leconfield Coonawara Cabernet Merlot Cabernet Franc blend and a French Cordier Sauternes. Sadly 4 of the wines were rated as a 1 or zero. Whilst the oldest of these was from 1975, there were others from the 1994-1996 period that did not measure up. The 1975 had suffered from a leaking cork and had oxidised badly whilst two of the others were white wines that in all honestly , should never had been cellared that long [because of their grape and style].
Wayne’s biggest disappointment of the night, however, was the wine that had been stored in a very large bottle dating back to 1893. The providence of this wine actually dated back to the period 1980 to 1995 and had been stored in this old bottle for later tasting. Wayne had tried to find out more about this wine from CJ Pask who was reputed to have taken it from a barrel and stored it in the bottle for Richard Gooch to taste at a later date, but Chris couldn’t recall the occasion. In any event, this wine was one to be rated a zero, having unfortunately deteriorated to such an extent that no one was prepared to suggest what it might have included, even if the suspicion was that it was once a Bordeaux blend of Cabernet Sauvignon, Merlot and maybe some Cabernet Franc, all from young vines on the Gimblett Gravels.
In conclusion, whilst this evening may have lacked a standout wine that would make the tasting memorable, it did serve to be both educational and to serve as a warning. I think most members will have gone home and looked for those forgotten wines at the back of their cupboards or cellars in order to drink them before they start their inevitable decline into mediocrity.
A special thanks to Linda Caradus, partner to the late Richard Gooch. It was her wish to give the club these very old wines so that we could use them as a learning experience and they certainly did that. It was just a shame that overseas business prevented her attending the tasting and seeing the interest that the 11 wines provided.
