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There was a good turnout for the evening, although numbers were down due to illness, and in one case, nearly the whole table was absent due to Covid. We hope everyone is feeling much better at this stage.
Wayne had organised this evening on his own and had a bit of a shortbread competition with his wife – not mentioning who won!
The first half of the evening was simply tasting some of the wines and discussing the different grapes and countries these came from.
The second half of the evening was a taste and tipple scenario. We had shortbread, strawberries, cheese & crackers, and Christmas cake to sample after we had had our first taste of each wine. This was to see if our taste buds registered any meaningful changes to the taste and texture of the wines.
The wines we sampled were:
First half
Lindauer Free ‘non-alcohol’ Brut was our surprise starter. It was made from Chardonnay and Pinot noir grapes and was poured blind. Whist some thought it was closer to a cider in taste and style, nobody guessed what this was correctly!
Tosti Prosecco DOC form the Piedmont region in Italy
Perelada Brut Reserva Carva NV –Spain
Morton Estate Premium Brut – NZ
Second half
Grant Burge Petite Bubbles Dry Sparkling – Australian
Louis Bouillot Perle De Vigne Cremant De Bourgogne – French
Two more mysteries to go with the Christmas Cake to finish off – these were also both poured blind:
Humans have made wine for about 7,000 years, and experts agree that until relatively recently, it may not have tasted perfect. For millennia wine has been the ultimate expression of agriculture. Still, once grapes are transported from the vineyard to the winery, it is up to the winemaker to apply their hand to create the best beverage possible. While cold fermentation is a relatively new technique introduced in the 1950s, many other practices are as old as winemaking. Many terms are casually tossed around by those in the know, so here is a quick explanation of some of the more common winemaking terms you may come across and how wine is fermented will affect the final product.
Cold Fermentation
Of course, wine is made by fermentation: Yeast converts grape sugar to alcohol, and the result is this glorious liquid we love. One of the byproducts of fermentation is heat, which, left unchecked, could cause temperatures to rise to the point that yeast dies and fermentation stops. Fermentation at higher temperatures can also create a wine with lighter aromatics, unpleasant flavours, and a lack of elegance or finesse. A colder, slower fermentation preserves aromatics, fruit flavours and colour. External cooling jackets or pipes filled with cold running water maintain temperatures within the tank, allowing the winemaker to control the fermentation speed.
Barrel Fermentation
Some wines, like the Malbec in Argentina, are fermented in concrete eggs. David Silverman/Getty Images
Wine may be fermented in various containers, including stainless steel tanks, concrete vats or “eggs,” fibreglass tanks, terra cotta amphorae, or wooden barrels or vats. While stainless steel, concrete and fibreglass are considered neutral and do not impart flavour or texture to the contents within, fermenting in a barrel adds flavour to the wood and a buttery or creamy texture. This method leads to a richer mouthfeel and may bring flavours of vanilla, baking spice, coconut or coffee. It can be used for white wines like Chardonnay or Verdejo and red wines like Cabernet Sauvignon, Merlot, Nebbiolo or Tempranillo.
Yolanda García Viadero, proprietor and winemaker at Bodegas Valduero in Ribera del Duero, Spain, began using this technique 12 years ago with external rollers that rotate horizontal barrels during fermentation. She told Robb Report, “For fermentation, wood is interesting. The structure is improved, and all the grape characteristics are reinforced and amplified. But at the same time, the texture and flavour are softer.”
Malolactic Fermentation
Sometimes shortened to “malo” by winemakers, malolactic fermentation converts tart malic acid to more creamy or buttery lactic acid. This is easy to remember because “lactic” pertains to milk; a class of bacteria known as lactobacillus are responsible for the conversion. Technically it is not truly fermentation because yeast isn’t involved. It lowers acidity and raises pH, resulting in rounder, smoother or fuller wines. It can occur spontaneously during primary fermentation or after the first fermentation. Many red wines and some white wines, such as Chardonnay, Viognier or Soave, undergo malolactic conversion, which adds stability to wines but may decrease the sense of freshness.
At Bodegas José Pariente in Rueda, Spain, winemaker Martina Prieto Pariente uses malo in her Finca Las Comas wine, a single-vineyard, small batch Verdejo. She explained to Robb Report, “This vineyard tends to maintain a high acidity and therefore also a somewhat higher than normal malic acid content. The partial malolactic conversion in this wine allows us to soften the acidity and provide greater aromatic complexity due to the light notes of butter and cream, respecting the primary aromas as it is partial and not complete. This translates into a wine with more volume, silky texture and depth.”
On the Lees
Champagne has to spend at least a year on the lees, but this bottle spent nearly four decades.
Although the process sounds highly unattractive, ageing on the lees heightens many of the pleasant characteristics of wine’s aroma, flavour and texture. Admittedly, this step isn’t fermentation itself but using the byproduct of fermentation to influence the final product. Called sur lie in French and Sobre lias in Spanish, this is the practice of allowing the wine to remain in contact with dead or spent yeast cells. As fermentation occurs, sediment falls to the bottom of the tank or barrel. The first to sink is gross lees, consisting of dead yeast, grape skins and yeast cells—fine lees, which have a sleeker texture and settle to the bottom throughout the fermentation. Lees can be filtered out, but winemakers may also leave them in to provide more complexity to the finished wine.
This method is always used for Champagne; non-vintage Champagne must spend at least 12 months on the lees, while vintage Champagne must remain in contact with the lees for a minimum of three years. This can add aromas and flavours of almonds, hazelnuts, baking bread, brioche and toast—many other wines, whether white, red or rosé, are also aged in this way.
“The process of ageing Chardonnay on the lees adds complexity, both in the secondary aromas and flavours that it adds to the wines and what it delivers in texture,” Graham Weerts, winemaker for South Africa’s Capensis told Robb Report, “Chardonnay can be subtle in its primary fruit characters, but it’s one of the few white varieties that gains complexity through its evolution over time. The intent for Capensis has always been to produce wines that rival the best white wines in the world in terms of quality and longevity, and lees ageing is a fundamental part of the approach.”
French wine producer Edmond de Rothschild Heritage Wines has bought Central Otago vineyard Akarua Estate, which it hopes will eventually produce 60,000 bottles a year of premium organic pinot noir.
Bordeaux-based Edmond de Rothschild Heritage Wines received Overseas Investment Office approval to buy the 52-hectare estate, with 34.5ha of vines, in Central Otago’s Bannockburn, along with the Akarua Estate vineyard from New Zealand company the Skeggs Group.
Ariane de Rothschild, president of the Edmond de Rothschild Group, which also owns Marlborough vineyard Rimapere, said the region’s soil was world-famous for its exceptional growing conditions for pinot noir.
She said that the terroir, or environment, at Bannockburn was on par with the Burgundy region in Eastern France.
“The addition of our second New Zealand winery is part of our wider strategy to develop a portfolio of premium international wines from exceptional terroirs.
“Central Otago’s international reputation for pinot noir provides a unique opportunity for us to complete our range and move into the production of organic wines – one of the fastest growing categories,” she said.
Winemaker Ann Escalle, who was technical director at Rimapere before moving to Akarua Estate, said the soil had all the elements they were looking for, and the slope was gentle enough for the vines to be able to develop well.
Akarua Estate vineyard in Central Otago has been sold to Bordeaux-based Edmond de Rothschild Heritage Wines.
The region’s climate was known for its hot and cold extremes, but the site was not too harsh. At the same time, it was dry and windy enough to keep diseases away.
“We think that what we have here at Akarua is really top potential, and we can bring it to the world. We would like to produce some of the best pinot noirs in the world because it’s possible,” she said.
The vineyard, which produced about 80% pinot noir along with small amounts of chardonnay and riesling, was not organic yet, but work was starting on converting it immediately.
When fully converted and organically certified, the vineyard would produce more than 60,000 bottles of organic wines annually for the international and domestic markets.
The soil had all the elements required, and the slope was gentle enough for the vines to be able to develop well, said Ann Escalle.
The wines would continue to be produced under the Akarua brand. The Akarua Estate vineyard was founded in 1996 by former Dunedin mayor Sir Clifford Skeggs.
Skeggs Group managing director David Skeggs said the new owners had significant global influence and networks and would bring new opportunities for the Central Otago wine industry.
The Skeggs Group would continue to produce its Rua brand from its 90 hectares of established vineyards in the Bannockburn and Pisa sub-regions.
The nine vineyards owned by Edmond de Rothschild Heritage in France, Spain, South Africa, Argentina and New Zealand produced 3.5 million bottles of wine a year.
What a great turnout for our Trifecta event from the Hawkes Bay vineyards!
This event was well attended by Club members, plus we had four guests attend. There were eight wines to sample for the evening, plus the owner Peter Robertson was there to let us in on some of his planting/vineyard secrets.
Peter explained to us how he started his wine career working for McWilliams making a rose spritzer that they used to export to Fiji! Times have certainly changed as have tasted in the 21st century.
2022 Fiesta Rose – a Syrah dominant variety, floral with strawberry and melon on the tongue
2022 Robertson Pinot Gris – this variety was from Brother John of Mission wines who introduced Peter to a 15-year-old bottle of this Pinot!
2021 Bergman Chardonnay – named after the Ingrid Bergman roses on their property. A more modern style rather than the heavy buttery style of old
2021 Barrique Fermented Viognier – surprisingly smooth in the mouth with fresh mineral notes
2021 Back Block Syrah – this variety had its first vintage in 2000, spicy and this is their biggest-selling wine!
2020 Ohiti Estate Cabernet Sauvignon – light and spicy but smooth with a year in old oak
2021 Hillside Syrah – actually grown on land that Peter was invited to use to grow grapes. Woody but smooth in the mouth.
2019 Reserve Vintage Gold Label Cabernet Merlot – a Bordeaux style wine, black fruits with subtle spice, this is wine is closed with the traditional cork stopper.
Our thanks go to Peter for his generous support for the Club, and to members for their support through the volume of sales.
In 2018 we contacted Gordon Russell to see if he could present a tasting some time, and he said yes, he would be delighted, but it would need to be 2021!
Roll onto 2021 when sadly, the Covid levels meant that our Esk Valley tasting had to be postponed to that year. So, imagine your committee’s disbelief when Gordon contacted us in the week of our tasting to say sadly that his wife had COVID-19 and that he was having to isolate himself. He said he was disappointed but then offered to fast courier the tasting notes and wine to us so the meeting could continue. Thankfully, Richard Taylor then stepped up to the plate and, using the tasting notes, entertained us with an interactive evening that went down well and was much appreciated.
The club’s appreciation of the wines presented was subsequently reflected in the 141 bottles ordered by members.
The wines for the evening were:
Hawkes Bay 2022 Rose’ – was our mix and mingle wine and a beautiful shade of almost metallic pink, gentle on the nose, smooth in the mouth
Hawkes Bay 2021 Pinot Gris had a slightly pinkish colour with greengage on the tongue – it was a lovely extra tasty Pinot Gris which comes from free-draining terraces with the grapes themselves approaching 20 years old! Interestingly it has some oak barrel fermentation too
Artisanal Hawkes Bay 2021 Chenin Blanc – this is a new brand that has only been on the market for 12-18 months; it was a pale shade and, at the moment, has baked apple/citrus/peach on the tongue
Great Dirt Seabed Chardonnay 2020 – this is their premium label and was buttery on the nose and white peach on the tongue. The terrain where these grapes grow was tidal river territory before the 1930s Napier earthquake.
Artisanal Gimblett Gravels Grenache 2021 – nice dark red colour; this is a low-yield crop and is 100% Grenache, fermented in open-topped concrete carrels
Artisanal Gimblet Gravels Tempranillo 2021 – almost purple in colour, dry on the nose, dark berries with a hint of vanilla on the nose – has been in American and French oak and comes from a single block in Te Awa planted in 2018
Artisanal Gimblett Gravels Malbec, Cav Sauv, Merlot 2000 – again almost purple in colour, blackberry/currents on the tongue. This would go well with Venison. Again this is a low-yield crop, fermented with wild yeast in concrete open-topped barrels and kept until 2032!
Of the above, the most ordered was the Chenin Blanc. This reflected both the quality of this wine and likely the fact of how starved we are of this variety in New Zealand. Thanks again, Richard, for arranging this tasting and then stepping in to deliver it for Gordon. I am told that Gordon has already offered to do this again in 2024. You would be most welcome, Gordon.
Plus, a handy guide for deciphering your methodes from your Champagnes.
Photo / Babiche Martens
If the bubbles that have dominated most thoughts of late are the ones we’ve been living in, there’s hopefully something we can toast, even if it’s just the passing of 2021.
There’s good news on the fizz front, as there has never been a more delicious and diverse array of sparkling wines to enjoy in Aotearoa.
Here’s a selection of the best from my blind tasting of bottles from across the world. Their corks are definitely worth popping, to cheer the spirits if our parties must be virtual, or celebrate with on the return to fully social occasions.
STYLE GUIDE: WHAT’S IN A STYLE? Sparkling wines are made in a wide variety of ways that dictate their flavour, quality and price. It can be confusing, so here’s a rough guide to styles and terms you might see on a bottle that suggest the kind of wine you might find within.
Traditional Method Most of the highest quality sparkling wines, including Champagne and cava, are made by the traditional method, also known as methode traditionnelle. It’s an elaborate system that adds to the cost of the wine, but is widely regarded to create the most complex flavours and finest mousse (bubbles).
A second bubble-inducing fermentation is triggered in the bottle, followed by a period when the wine remains in contact with its yeasts. These impart complex bready and nutty flavours to the wine depending on how long it remains on these yeast “lees”.
The yeasts are then removed by a lengthy process of “riddling” that gradually shifts the yeast into the neck of the bottle, which is then frozen. The frozen plugs of yeast are removed, the bottle topped up and then re-stoppered in the wine’s “disgorgement”.
Some examples state a disgorging date, which provides an idea of a wine’s maturity — recently disgorged can mean fresher flavours, and older more toasty notes.
Bottle Fermented (Transfer Method) If it’s traditional method, most wineries trumpet this. So if you see “bottle fermented” on a label, this suggests the wine has likely been made by the slightly simpler transfer method. Sparkling wines made in this manner can still be very good, but are cheaper to produce than the traditional method. This is basically identical to the traditional method up to the point of riddling, when the bottles are instead disgorged into pressurised tanks, where they’re filtered. They’re then re-bottled in a new bottle.
Tank Fermented Less likely to appear on a label, but influencing the final flavour, is the Tank Method. Also known as the charmat or Martinotti methods, or cuve close. The wine’s second fermentation takes place in a pressurised tank rather than a bottle, and the final fizz bottled under pressure. You don’t get the yeasty character of bottle-fermented methods, but this is often preferable for more aromatic grapes and fresher styles, such as the prosecco that’s made this way.
Methode Ancestral (Pet-Nat) Undergoing a revival currently is the methode ancestral, responsible for the petillant maturels (pet-nats) that have burst onto the natural wine scene in particular. Likely the oldest way of making sparkling wine, the wine is bottled while still undergoing its first fermentation. This finishes in-bottle, producing its effervescence.
Some winemakers choose to leave the yeast in the bottle, leading to a cloudy appearance and the possibility of drinking a bottle at different stages on its path to dryness. Others filter or disgorge and rebottle for a clearer and more consistent end product.
Champagne (NV and Vintage) Champagne can only come from the eponymous region in north-eastern France. Its name, synonymous with luxury and celebration, is protected in law and cannot be borrowed by wines from elsewhere. Its wines have to adhere to strict criteria, which includes bottle aging of 15 months for non-vintage wines (NV) and three years for vintage.
Its chilly climate makes it a challenge to ripen grapes, which has led to the practice of blending wines from multiple vintages, with vintage wines being made with only the best grapes in the best years.
The practice of making and labelling sparkling wines as “NV” has been adopted beyond Champagne and tends to suggest the tier below a winery’s more premium “vintage” release.
Styles and Sweetness Various terms originating in Champagne indicate the grapes used, and consequently suggest the style of a sparkling wine. Blanc de Blancs is made from 100 per cent chardonnay, which tend to be lighter and racier. Blanc de Noirs is a white sparkling wine made from just black grapes, which tend to be fuller bodied.
There are also descriptors highlighting levels of sweetness. The most common is Brut for dry to off-dry, with the likes of Demi-Sec, meaning sweet and Doux, lusciously sweet.
A growing movement towards near bone-dry styles means seeing more bottles sporting terms such as Ultra Brut, Extra Brut, Brut Nature and Zero Dosage, which signal the driest of the dry.
Detergent is the enemy of effervescence, so always rinse your sparkling glasses in warm water to get rid of any residue. Photo / Getty Images
WHAT’S IN A GLASS?
Wisdom on what makes the best glass from which to drink sparkling wine has shifted over the years. Certainly, the wide-rimmed shallow coupe popular in the early 20th century has fallen out of favour, for good reason.
These may work to some extent for softer, sweeter styles, but the wine’s large surface area in these means bubbles swiftly dissipate and they go flat quicker. The narrow shape of the iconic flute fares far better for retaining effervescence, but also suppresses aromas.
Current thinking on the foremost stemware for fizz, particularly the more complex traditional method wines, is a tulip-shaped glass with a wider middle and a narrow top. Similar to a white wine glass, it provides a slightly larger wine surface area than the flute and has a shape and greater space above the wine conducive to funnelling aromas up beyond its rim.
It’s also supported by findings of the rigorous research currently being conducted on bubble behaviour, by the likes of Champagne physicist Dr Gerard Liger-Belair at the University of Reims in Champagne.
The Comite Champagne, which represents independent Champagne producers, now officially recommends a tulip-shaped glass in which to enjoy its members’ wines. Something like Riedel’s egg-shaped Veritas Champagne Wine Glass fits the bill ($113 for 2 stems from Kitchenware.nz). However, the flute still works fine for simpler fruit-driven styles, such as prosecco.
You can enjoy fizz from a standard white wine glass. However, it’s still optimal to use a glass that’s been designed for sparkling wine as this will contain a “sparkling point”. Bubbles attract and carry aromatic compounds to the surface of the wine and need somewhere to start.
In sparkling glasses they’re directed from a single point etched on the bottom of their bowl, rather than forming randomly off the likes of fibres left in a glass from tea towels.
Whatever glass you choose, there are further ways to ensure you maximise your bubble count. Detergent is the enemy of effervescence, so always rinse your sparkling glasses in warm water to get rid of any residue. If you dry them manually, make sure it’s with a lint-free cloth to avoid unruly effervescence!
FRANCE’S FINEST
THE BEST SPARKLING WINES OF THE SEASON: FRANCE’S FINEST
1. Taittinger Millesime Brut Champagne 2014, $125 This Grand Cru-dominant blend is made only in the best vintages and aged five years on its lees to gain added complexity. The result is a Champagne with great intensity and finesse, with elegant and crisp notes of red apple and citrus, hints of apricot, mineral and blossom, over a subtle hazelnut base. Stockists: Countdown; Glengarry; Vineonline; Fine Wine Delivery; Vintners.nz
2. Paul Launois Monochrome #1 Grand Cru Extra Brut Champagne NV, $82 This stylish Champagne is an exciting new find: from third-generation growers Julien Launois and his wife Sarah, who started making wines in 2015 from their small family estate in the Grand Cru village of Le Mesnil-sur-Oger. The Monochrome #1 is an impressive ultra-dry 100 per cent chardonnay, with a pure and poised palate of crisp apple and lemon, hints of almond paste, acidity and an intense flinty minerality. Stockists: Barewine.co.nz
3. Andre Clouet Grande Reserve Brut Champagne NV, $68 A 100 per cent pinot noir Champagne that offers great value. Its attractive notes of apple and stonefruit are underpinned by rich toasted brioche and hazelnut notes. All this is supported by a fine and fresh line of lemon and mineral salts and a fine mousse. Stockists: Black Market; New World; Dhall & Nash
4. Marion-Bosser Premier-Cru Brut Rosé Champagne NV, $90 Marion-Bosser’s impressive grower Champagnes are made by the mother and daughter team of Bernadette and Elodie Marion in the Premier Cru village of Hautvillers. Their elegant and fresh rosé Champagne combines delicate raspberry and redcurrant fruits with a suggestion of apple and almond pastry. Stockists: Threefrenchvines.com; Winedirect.co.nz; New World
NZ’S FINEST
BEST LOCAL BUBBLES
5. No 1 Family EstateReserve Marlborough Blanc de Blancs NV, $96 It’s perhaps no surprise that one of the top wines in this year’s sparkling tasting is made by a 12th-generation Champagne winemaker. Daniel Le Brun crafts this exquisite Reserve example in Marlborough, which layers white flowers, white fruits and citrus over subtle nutty, biscuity nuances, wrapped in a creamy mousse. The release is limited to just 1000 individually numbered bottles. Stockists: Glengarry; No1familyestate.co.nz
6. Koyama Waipara Methode Traditionnelle Brut Nature NV, $45 A delicious bone-dry pinot noir-dominant blend made in tiny quantities by Takahiro Koyama, in which rich notes of gingerbread and toasted breadcrust are counterpoised by a powerful line of lemony acidity. Koyama has had a growing focus on sparkling wine with his original label and at Mountford Estate, which he now also runs, and this is a fine addition to Aotearoa’s sparkling scene. Stockists: Great Little Vineyards; Hamilton Beer & Wine Co; Star Superette; By the Bottle; Natural Liquor
7. Mumm Marlborough Brut Prestige NV, $40 A decidedly Champagne-like local traditional method wine, from a collaboration between the Champagne House of Mumm and Pernod Ricard NZ, makers of the likes of Brancott Estate. It expertly juxtaposes richness with freshness in its notes of crisp apple and lemon curd, savoury praline undercurrent, and long nutty finish. Stockists: New World; Countdown; West Liquor; Liquorland; Super Liquor; Glengarry; Moore Wilson’s
NZ’S FINEST
8. Quartz Reef Bendigo Estate Methode Traditionnelle Central Otago Rose NV, $43 Refined strawberry and redcurrant meld with hints of rose-like florals, creamy notes and an appealing savoury dimension. A complex and compelling rose which finishes with a dynamic wave of freshness and lingering minerally note. Stockists: Glengarry; Fine Wine Delivery; Farro Fresh; Quartzreef.co.nz
9. Hunter’s MiruMiru Marlborough NV, $29 Hunter’s has been making its MiruMiru for two decades from the classic trio of Champagne varieties — pinot noir, chardonnay, and pinot meunier — over which time it’s established the wine as consistently offering great quality and value. Its latest release over-delivers once more with a lovely lemony freshness to the fore, joined by white fruits and more complex toasty, yeasty elements. Stockists: Fine Wine Delivery; The Good Wine Co; Wine Direct; First Glass Wine & Spirits; Primo Vino
10. Morton Estate Brut Methode Black Label NV, $20 Ridiculously good value for a traditional method sparkling wine, Morton’s pink-tinged crowd-pleaser ushers in baked apples, juicy lemons and a touch of toastiness. Rumour has it, its price may be rising soon, so stock up for the festive season and beyond. Stockists: New World; Pak’nSave; selected specialist liquor stores
EURO-FIZZ
EURO-FIZZ
11. Borga Prosecco Extra Dry, Italy NV, $25 Light, bright and bone dry, this is a lovely expression of prosecco from a family-run estate in the Treviso region of Veneto. Its crunchy green apples and mouth-watering lime join hints of stonefruit, perfumed with a touch of jasmine. Stockists: Caro’s
12. Vilarnau Barcelona Cava Organico Brut Reserva, Spain NV, $25 There’s plenty of richness to this organic cava, with its notes of spiced honey cake, baked apple, stonefruit, toasted nuts and bread characters, offset by crisp lemon. Full of flavour, gorgeous packaging and great value. Stockists: Caro’s; First Glass Wines & Spirits
13. Ramon Jane Tinc Set Escumos Brut, Spain 2019 $33-35 A biodynamic pet-nat made with wild yeasts and no added sulphur from local grapes in the cava country of Spain’s Penedes. It’s ultra-dry, pure and savoury in style, with brisk citrus and restrained apple and pear, laced with white pepper and herb, an underlying vegemite-savoury richness. Stockists: Star Superette; Cahn’s Wines & Spirits; Fine-O-Wine; By the Bottle; Cult Wine; Planetwine.co.nz
14. Sartori Prosecco Rosé Brut, Italy NV, $25 Following the popularity of prosecco and the fashion for drinks pink, prosecco rosé became an official denomination in Italy last year for bubbly made from the traditional white prosecco grape Glera and a dash of Pinot Nero (pinot noir) for colour. While some “ro-secco” can be on the sweeter side, the Sartori is a more serious dry style that’s fresh, citrusy and moreish with strawberry scented with rose. Stockists: New World; Dhall & Nash
15. Privat Reserva Brut Nature Rosé Cava, Spain 2018, $32 This very appealing bone-dry organic cava is made from a blend of pinot noir and chardonnay. It combines green apple and fresh lime notes, with more complex nuances of honey and toasted breadcrust. From: Hamilton Beer & Wine Co; Regional Wines; Stvincentscave.com
MONIQUE FORD/STUFF Wine emojis to help you choose a bottle.
If you feel lost as to what wine to serve at your Moroccan-inspired dinner party this weekend, one website is on a mission to help – using a database of unique, and very cute, specialised emojis.
When lockdown forced Wellington’s Noble Rot Wine Bar to close in March 2020, three wine experts used the downtime to create a database of wine profiles. The ultimate goal was to simplify the wine-buying process for the average consumer.
Two years later, Wine-oji, is a website featuring 221 emoji-like images designed to help anyone pick the perfect bottle of wine, whether they know what wine they enjoy or not.
Noble Rot owners Josh Pointon and Maciej Zimny, with head sommelier Jessica Wood, launched Wine-oji last December. Wood says the response has been “amazing” from consumers and producers.
But what exactly is Wine-oji, and how does a collection of wine-related emojis help someone pick a bottle of wine?
MONIQUE FORD/STUFF Wine-Oji was an idea born out of lockdown.
The website is a colourful, busy and interactive library of images used to describe flavour profiles, production methods and ideal food pairings for wines.
The list is pretty extensive. Images are allocated to primary aromas, such as fruits and vegetables, as well as floral notes such as jasmine and honeysuckle or earthy tones of oak and wet stone.
Secondary aromas, which come from the winemaking process, oak ageing, oxidation and bottle ageing include popcorn, butterscotch, oak, berries and fruit and tar and rubber, among others.
Wood says while the library of wine emojis is fun, the interactive “find your perfect match” section is where customers can hone in on exactly what they are after in a wine.
“You can search any winery or flavour,” she says. Users can also simply search for the food they plan to eat and find the perfect pairing.
“If you’re cooking snapper tonight, you can type snapper, and it will bring up all the wines that have any of those Wine-ojis allocated to the profile.”
MONIQUE FORD/STUFF The initial idea began when Wood realised she was fielding questions from customers at Noble Rot about what certain wines taste like.
She says the site also allows people to open their minds a bit to try new wines.
“[You can find] things you’ll actually like, rather than based on wine that’s discounted heavily at the store, or because you tried it before, or like the label. It’s actually all about your experience of the wine.”
The initial idea began when Wood realised she was fielding questions from customers at Noble Rot about what certain wines taste like, and what wines pair best with certain foods.
And so the idea of creating a database of flavours, profiles and distributor information began to form.
“We … started composing a list of the key aromas and flavours, and structural components of the wine, that we could then build into a bit of a library. That became the new language – the language of Wine-oji,” she says.
The creation of the images was hugely important, Wood says. They brought in a local graphic designer to help create the library. They needed to be well-designed, but they also had to appeal to people who are not wine experts.
MONIQUE FORD/STUFF People need no previous knowledge of wine to use the emoji wine website.
“They had to be easily recognisable, quite quickly, by the average consumer.”
“There is a huge problem in that people don’t know what wine they like, or what wine they should buy. There’s never really been an understanding of their flavour profile or their taste preferences.”
“We were thinking, how can we translate to people quickly and instantly what’s in their bottle of wine using images rather than words?” she says.
The resulting database is something Wood insists people need no previous knowledge of wine to use.
“You just need to know if you like something or not,” she says.
Using the interactive section of the site, a search for “lemon” results in 33 bottles of wine. Of those, two are Pinot Gris and 12 are Chardonnay. The selections can be further filtered by wine type or vintage.
For each bottle, the full Wine-oji profile can be viewed. There are eight sections: aroma, flavour, sweetness, acidity, body, oak, finish and food. Each is illustrated with the relevant Wine-ojis.
MONIQUE FORD/STUFF Wine-Oji will give you the nous to have a good nose for wine – no experience required.
My 2019 Main Divide Riesling, for instance, had an acidity rating of 4½ lemons out of 5. Its sweetness is only worthy of one lollipop, however, and in terms of the body, my chosen riesling shows 2½ bodybuilders out of a possible 5.
My chosen wine also pairs well with prawn skewers, pad thai, Moroccan couscous and snapper ceviche.
And after two years of creating an extensive database of wine-related imagery, what are Wood’s favourite Wine-ojis?
She has a few, including lily, jasmine and ginger. She is also a fan of the food pairings.
Established in 1896, Te Mata Estate remains family-owned, producing internationally recognised wines exclusively from its Hawkes Bay vineyards. The Chambers family, the original owners, sold the property in 1919.
TMV Te Mata Vineyards was established, and the property had two other owners until it was acquired by the Buck and Morris Families in 1974 – the two families behind the modern interpretation of this historic NZ estate.
Te Mata Estate is committed to improving its performance in terms of environmental, social and economic sustainability through the Sustainable Winegrowing New Zealand (SWNZ) programme, established in 1995 as an industry-initiated programme directed by NZ Winegrowers. Te Mata Estate’s vineyards were amongst the first to be accredited in 1995, as was the winery in 2005.
This evening was going to be presented by Te Mata vineyard but is now being covered by Eurovintage with Keith Tibble and Brett Newell hosting the evening for us.
Indictive wines for the evening, still being worked on at the time this newsletter went out:
Starting with Estate Range Sauvignon Blanc
Premium Sauvignon Blanc
Two premium reds – Awatea and Bullnose ranges
Estate Range – Chardonnay, Pinot Noir, Cabernet Sauvignon
The above selection is indicative only as it will depend on the availability of stock at this time.
This will be both a surprising and informative evening with great wines to taste across Te Mata’s different wine ranges and looks to be an experience that you wouldn’t normally get anywhere else.
Under new ownership, Villa Maria captures a global market
When Matthew Deller decided it was time to bring his family home from Napa Valley in California, there was only one place he wanted to work: Villa Maria.
He made his move in January 2020 after seven years as chief operating officer at Tor Wines – a winery globally renowned for its single-vineyard chardonnay and cabernet sauvignon.
And so, after a roller-coaster journey of sorts, he’s perfectly placed to oversee the first global launch of Villa Maria’s single-vineyard series of wines from tomorrow.
Deller, a master of wine, is Villa Maria’s chief global sales and marketing officer. In his almost two years with the brand, he’s experienced the rapid change brought by Covid-19 as well as seeing Villa Maria pass out of family ownership.
Villa Maria Estate Winery’s Blenheim acreage. Image: Brya Ingram/Stuff/Marlborough Express
Villa Maria’s parent company FFWL, owned by founder Sir George Fistonich, went into receivership late in 2020 and as part of that, Villa Maria was sold to Indevin, New Zealand’s largest wine-making company, in September.
“When we decided we wanted to move back to New Zealand and I was thinking ‘who would I want to work for?’ Deller says. “Villa Maria was the only option. There’s no other winery in New Zealand that makes the calibre of wines that Villa Maria does and that’s not going to change in under the new ownership.
“We’ve all been on a roller-coaster over the past 18 months. But the management at Villa Maria wasn’t exposed too much to that financial side as that was between the family and the banks.
“Indevin is very protective of the brand and what drove its success: it’s all about quality and global critical acclaim. And that’s not my opinion, that comes to us from our wine intelligence research.”
Other significant changes include the way Villa Maria is marketed.
“We’ve renovated every brand,” Deller said. “We’ve brought out Earth Garden range this year which is our first 100 per cent Biogrow-certified brand and fully vegan. And we’ve really ramped our global fine wine programme.”
As part of that global push, this year marks the first time that Villa Maria is doing a worldwide launch of its single vineyard series. That will involve events around the world throughout November. “We’re there in New York, London, Europe and there’ll be dinners, wine-maker tastings with a unified release of these single-vineyard wines.”
Indevin had been on the lookout for a quality New Zealand global brand for some time, says chief executive Duncan McFarlane.
Single vineyard releases are a winery’s way of showing what a particular block of land delivers. The 10 wines Villa Maria are releasing come in tiny volumes – just hundreds of cases for some styles. The grapes are mostly handpicked and many are fermented with wild yeasts.
The idea is to create a series of bespoke wines that Deller says are chosen for their elegance and as “the greatest expression of a particular vineyard”.
The release features vineyards in Auckland (Ihumātao), Gisborne (McDiarmid Hill) Hawke’s Bay (Braided Gravels, Keltern) and Marlborough (Attorney, Taylors Pass, Seaspray, Seddon, Southern Clays).
Deller said it was the right time to make a global push as New Zealand wine – particularly Marlborough sauvignon blanc – was at a “tipping point” in terms of appreciation by critics and collectors.
“Now that New Zealand wines are getting really high scores from international critics, all of a sudden they’re of tremendous interest to the fine wine community, British wine merchants and top New York restaurants. The market has been created by those global critic scores.”
And that maturation of the industry, in terms of quality, has dove-tailed with Covid-19 to create a perfect storm of desire for New Zealand-made wines.
“What happened last year was a huge shift in awareness of, and demand for, New Zealand wine and Brand New Zealand was on fire last year. The insights I have from the US is that a significant part of that is our sustainability story.
“What’s happened this year is another seismic shift – and perhaps one that’s more exciting and of more significance for New Zealanders. We had a small harvest in 2021 but it’s high quality. And with that, we’ve reached a tipping point where New Zealand wines are now recognised as really good. They’ve always been regarded as good but now they moved to really good.”
The Villa Maria Keltern chardonnay.
He noted that one of the world’s leading wine commentators, Jancis Robinson, wrote a glowing report on New Zealand wine, focusing on sauvignon blanc and pinot noir which helped push Marlborough sauvignon blanc from a supermarket staple to standing proudly alongside the best France could offer.
“Marlborough sauvignon blanc had already surpassed France in terms of mass awareness but the more conservative critics have always considered the fine wines of Sancerre as superior to Marlborough sauvignon blanc but that seems to have changed and Marlborough sauvignon blanc is now a fine wine benchmark as well as a reliable benchmark.”
The other thing that’s happened is that a number of factors – including increased costs of packaging and shipping – drove up the price of New Zealand wine and no one blinked. In fact, demand increased.
Deller says not only are people in love with the flavours of New Zealand wine but they are “buying an experience they can’t get from anywhere else” and part of that is a story of sustainability, ethical employers, and a focus on quality.
For Villa Maria, a critical part of that story is staying New Zealand owned. When the receivers came in at FFWL they needed to find over $200m to pay back bank loans. Selling Villa Maria was critical to raising that money and there was a fear an iconic Kiwi brand could end up offshore.
But it stayed in New Zealand thanks to Indevin, a giant wine-maker that most people have never heard of.
Indevin’s model is to grow grapes and make wine. It leaves the sales and marketing to third parties including brewing giant Lion – for whom Indevin produces the Lindauer range, among others – as well as Waitrose and Tesco supermarkets in the UK.
Chief executive Duncan McFarlane says Indevin had been on the lookout for a quality New Zealand global brand for some time.
“Rather than Indevin doing the brand building and holding the sales expertise in-house we’ll partner with someone who has that, and we’ll focus on the parts of the supply chain where we have the expertise and can create value,” he explains.
“But that meant there was a significant part of the New Zealand category that we weren’t participating in – that wasn’t a problem as such as we’d been successful with our model – but we believed that as the New Zealand wine industry matured, with the right brand, the right proposition, there was a lot of additional value to be created.
“Our long-term strategy has been if the right opportunity came along to acquire a genuine global New Zealand brand then that would be a very interesting, exciting and rewarding acquisition.
“Identifying that and actually having the opportunity are two different things.”
McFarlane couldn’t have hoped for a better opportunity than the unexpected sale of Villa Maria after 60 years of family ownership. “We felt that not only was it an amazing opportunity it was an unparalleled opportunity.”
McFarlane says Indevin and Villa Maria will continue to walk their own paths when it comes to sales and marketing, with Indevin remaining a business-to-business model and Villa Maria being a business-to-consumer operation.
But behind the scenes, on the production side, there is huge room for efficiency and growth.
“In many cases, the two businesses literally have vineyards next to each other or in the same street – so it makes sense that the production side of the business will come together over time to work as a team.”
Villa Maria single-vineyard Taylors Pass sauvignon blanc and pinot noir, part of a range of 10 it’s releasing globally.
Adding Villa Maria’s vineyards and expertise to Indevin’s means a diversity of supply that “de-risks” the business on one hand while “putting you in a strong position to maintain and provide consistent quality season-to-season”.
As the ultimate boss, McFarlane has no qualms about Villa Maria hosting a series of global launches during a global pandemic.
“Like any business, we’re conscious of Covid, and management of risk is at the forefront of how we do things, but at the same time there are growth opportunities overseas and where we can do it, and do it safely, it’s business as usual.”
As for his pick of the single-vineyard wines, the chardonnay lover says he’s “quite honestly staggered” by the Keltern Chardonnay from Hawke’s Bay.
Sidebar; The Villa Maria Single Vineyards
Auckland – Ihumātao
Located on Auckland’s Manukau Harbour, Ihumātao sits within a shallow, sheltered volcanic crater with a soil profile that is diverse with a calcified shell and ancient scoria on the edge of the basin, with heavier peat and clay soils toward the centre layered above a volcanic basalt rock base. The immediate proximity to the Manukau Harbour provides a cooling influence, favourable in the retention of fruit acidity during the ripening season.
Gisborne – McDiarmid Hill
Home to expansive fertile plains framed by forested hills on one side and 200km of coastline on the other, the province has an abundance of natural resources. Gisborne’s climate is characterised by warm summers and mild winters. McDiarmid Hill is positioned on an elevated north-facing hillside slope in Patutahi. Taking full advantage of sunlight, drying wind conditions, slightly cooler temperatures and natural water drainage, the additional elevation provides a wonderful advantage for producing this consistently outstanding wine.
Hawkes Bay Braided Gravels | Keltern
The Gimblett Gravels Wine Growing District is characterized by arid, stony gravels laid down over millennia then exposed by a huge flood in 1876 that altered the course of the Ngaruroro River. East of the Maraekakaho region, Keltern is a warm inland site, buffered by the Ngaruroro River. Established on an ancient riverbed that is very dry, but not as hot as the Gimblett Gravels.
Marlborough is surrounded by the inland Kaikoura Ranges to the south and the Richmond Ranges to the north. These rugged mountains are responsible for New Zealand’s driest and sunniest climate with an average of 2435 hours of sunshine, regulated by the cooling ocean influence, elongating the ripening period. Marlborough is composed of three sub-regions, each with its own distinctive characteristics and nuances, which are experienced in every taste.
words: Julia Larson illustration: Ariela Basson Published: December 29, 2021
There are some times when you crave a glass of wine, but not the whole bottle. But how can you tell if your opened bottle of wine is still good?
Wine is a very finicky thing, and if not treated right, your leftover vino might as well already be poured down the drain. To learn why some wines last a little longer than others and how to avoid a little waste, VinePair taked to Alisha Blackwell-Calvert CSW, an independent wine consultant in St. Louis.
When it comes to opening a bottle of wine, Calvert says, it is a race against time. “Oxygen is a wine’s best friend, but also [its] enemy,” she says.
“Once a bottle of wine is uncorked, it’s like there is a timer on it.”
Consumers tend to think that oxygen is a good thing for wine — wine is poured into extravagant decanters, swirled in the glass, and slurped loudly by somms all in the name of incorporating oxygen into it. This is initially to let the wine “breathe,” letting oxygen back into the wine to open up flavors and aromas that were stifled in the bottle. “That initial oxygen is great — it aids in building the aroma as it transcends into your nose,” says Blackwell-Calvert.
“But depending on the wine, after a couple of days, the aromas change.”
If at first sip you got notes of fresh fruit, it can develop aromas of a cooked fruit, or even vinegar.
There are some obvious signs that a wine has gone bad, like cork taint. But when a wine has been open for too long, it can end up tasting a little bland. Or, if it was high in alcohol in the beginning, it will taste a bit boozier. If you are planning on only using a small portion of a bottle, plan ahead by using wines that have more preservatives in them, such as sulfites or sugar. Sulfites are a naturally occurring preservative that occur on the skins of the grapes, and they give wines the ability to maintain and develop flavors as they age. Sugar, on the other hand, is key to the fermentation of wine. More residual sugar likely means there is less alcohol, which is more volatile when it comes to oxygen exposure.
“Preservatives help a wine keep and stay better for longer,” says Balckwell-Calvert. “For example, a Riesling will stay for longer because it has more sugar compared to other wines.” Oak is another natural preservative, helping keep wines like Chardonnay and Cabernet Sauvignon fresher for longer.
When buying a bottle to sip throughout the course of a week, look for styles that have thicker-skinned grapes that have a bit more body and structure to them.
“Grapes that have a thinner skin, like a Grenache or a Pinot Noir, tend not to do well open because they have less preservatives and sulfites,”
says Blackwell-Calvert. “They have less tannin structure and acidity; they tend to die quicker once they’ve been opened.”
In some cases, leaving a bottle open may be more like a slowed-down way to enjoy a wine and note the differences as the flavor develops.
“There are some wines, like a Brunello di Montalcino, that will actually show better a couple of days after being open,”
says Blackwell-Calvert. “I guess that is also what a decanter is for.”
But if the wine you decided to sip on doesn’t follow any of the above criteria, there is no reason to just throw it away. “My recommendation is to put the cork as far as possible down the neck of the bottle,” says Blackwell-Calvert. “Put the bottle in the fridge; never leave it on the counter. When you are ready to drink it again, take the bottle out of the fridge for 30 to 40 minutes to warm up.”
If you are someone who repeatedly drinks a little from the bottle at a time, she also recommends buying a Coravin preserver. Or, if you’re not attached to the aesthetics of glass bottles, try a boxed wine. These often last for weeks in the fridge due to their lack of oxygen exposure.
Even if you missed every step — bought a light-bodied, high-alcohol wine and left it on the counter — but you still thought it tasted good, then go ahead and keep enjoying it.
“A wine is good if you taste it and think it tastes good,”
says Blackwell-Calvert. “If it has been open for four to five days and you still like it, then it is still a good wine.”
Drink up NZ’s rich history with a trip to one of our venerable vineyards, writes Jo Burzynska.
Sauvignon Blanc has the wow factor in Marlborough. Photo / MarlboroughNZ
On September 25, 1819, the Anglican missionary Reverend Samuel Marsden recorded planting the first grapevines in New Zealand in the grounds of the Stone Store, Kerikeri in the Bay of Islands. Sadly these never produced wine, allegedly being gobbled by local goats. Nevertheless, the promise that Marsden perceived for wine in Aotearoa has now been amply proven, and can be experienced alongside its history at vinous milestones that span the length of the country.
Bay of Islands – Vine Zero
Marsden Estate in Wiroa Road, Kerikeri. Photo / Supplied
Greater wine-growing success was achieved with the arrival of British wine enthusiast, James Busby to the Bay of Islands. He made New Zealand’s earliest recorded wine from vines planted in his grounds at Waitangi in 1833, described by French explorer Dumont d’Urville as “delicious”. While the wine industry followed more suitable climes and moved south, good wines still hail from this historic region. Head to Marsden Estate in Kerikeri, established 176 years after its namesake planted his vines. Select six wines to try at its cellar door, or grab a glass to savour in its subtropical – and goat-free – vineyard gardens or at its restaurant.
Gisborne – Organic Trailblazer
Millton, New Zealand’s first biodynamic vineyard. Photo / Supplied
Long before the New Zealand wine industry promoted its wines as the riches of a clean green land, James and Annie Millton were walking the talk. The couple established the country’s first organic and biodynamic wine estate in 1984 with the planting of their first vineyard near Manutuke where earlier settlers had planted grapevines in 1871. They now combine classic wines like their chardonnay with edgier examples in the skin-fermented whites of the Libiamo range influenced by the younger generation of Milltons. Sample these at their cellar door, set in beautifully landscaped grounds complete with olive grove.
Hawke’s Bay – Oldest Winery
Mission Estate Winery in Hawke’s Bay. Photo / Mission Estate
Christian orders helped spread the vine as well as their religion around the world, and it was Marist missionaries that transplanted vines from Bay of Islands to Hawke’s Bay, and in 1851 built the country’s oldest winery, Mission Estate. Its cellar door, housed in an imposing former seminary building, offers seated tastings that include insights into its history. Visitors can then wander through its underground cellar and extensive gardens that look out to sea, with an option to dine in its recently refurbished restaurant.
Wairarapa – Pinot’s First Place
Guests enjoying the sun at Ata Rangi vinyards, Martinborough. Photo / Pete Monk
New Zealand’s potential for Pinot Noir can be traced back to Wairarapa, where in the early 1880s Frenchwoman Marie Zelie Beetham and her husband William, planted the country’s first pinot vineyard near Masterton. Temperance put paid to that endeavour, but pinot noir grows once again at one of their vineyard sites, now Lansdowne Estate. Martinborough pioneers, such as Ata Rangi’s Clive Paton, then founded the modern pinot industry in 1980s. Ata Rangi continues to produce some of the country’s finest examples, which can be explored, along with its history, through intimate tastings held in their charming old winery cellar door.
Nelson – South Island Pioneers
The Neudorf Winery, Nelson. Photo / Supplied
In the early days of New Zealand wine, most vineyards were planted in the North Island as it was considered grapes couldn’t ripen further south. However, in the 1970s some brave souls started to plant vines on the mainland, including Tim and Judy Finn who founded Neudorf in Nelson when nobody knew what varieties might thrive there. Now they make some of the country’s top chardonnay and pinot noir.
These can be enjoyed at their cute cellar door overlooking their first Home Block vineyard, where picnic fare can also be selected from the “baby deli”.
Marlborough – Sauvignon Country Roots
Sauvignon Blanc has the wow factor in Marlborough. Photo / MarlboroughNZ
Our flagship Marlborough sauvignon blanc is a fairly new phenomenon. Planted there in 1973, on what is now Brancott Estate Vineyard, it went on to wow the world when Hunter’s Sauvignon Blanc won the UK’s prestigious Sunday Times Vintage Festival in 1986. Hunter’s still excels at sauvignon, as well as sparkling wines, which are shared in its farmhouse tasting room set in tranquil native gardens. The next generation continues to innovate, with the experimental Offshoot range that includes a naturally sparkling sauvignon “pet-nat”. Marlborough’s earliest history can be encountered at Auntsfield Estate, the site of the region’s first commercial vineyard and winery founded by David Herd in the 1870s. Take in the historic sites, such as the restored 1873 rammed earth cellar, on a vineyard tour and taste the impressive wines made by the Cowley family who re-established vines on the property.
Canterbury – Humble Beginnings
Take a trip around New Zealand’s oldest vineyards and wineries. Photo / Graeme Murray
An important chapter of Canterbury’s contemporary wine history started three decades ago in a Christchurch garage. This belonged to neurologist Ivan Donaldson, whose winemaking hobby resulted in Pegasus Bay, which went on to become a flagship winery of the region. Knowledgeable staff at its Waipara cellar door can talk you through its exciting range of wines. These can also be partaken of in the winery’s fabulous gardens or inside by the fire as part of a picnic of local fare from the mini deli it launches in December.
Central Otago – Natural Succession
Looking down over its sloping vineyards to Lake Wanaka, the views from Rippon vineyard are iconic. Photo / David Wall
It’s rare for a family to spend over a century cultivating their land, never mind close to 40 years in the wine-growing industry in New Zealand – and even rarer in Central Otago, where the wine industry only took off in recent decades. However, Rippon has long and strong ties to their special land, now managed biodynamically by second-generation winegrower Nick Mills. The views from Rippon Hall, where its cellar door is situated, are iconic, looking down over its sloping vineyards to Lake Wānaka and the mountains. Rippon’s site-expressive wines are equally spectacular.
Renowned sailors, the Butterworth Family (Brad & Warren), is the new custodian of Julicher vineyard, planted in the iconic soils of Te Muna. The J-Knot on every bottle, the strongest knot you can tie, is a tribute to their vineyard’s founder, Wim Julicher.
Wim Julicher originally planted the Te Muna vineyard as an Olive Grove, but the site’s unique aspect made it far too cold for the olive trees. Luckily, it creates the perfect amount of pressure for the divine struggle required to produce world-class Chardonnay and Pinot Noir.
The Butterworth Family has a viticultural heritage dating back to the founding days of the New Zealand wine industry – the original 1890’s vineyard property is still in the family today.
The wines for our evening are from their Te Muna (Butterworth formerly Julicher vineyard and Layline ranges:
