Top Wineries of New Zealand 2025 and award winners announced

Stephen Wong MW in The Real Review | May 12, 2025

It is that time of year—the culmination of a year’s worth of tastings and reviews, averaging just under 2,000 wines annually, to bring you The Real Review Top Wineries of New Zealand 2025.

This year’s list showcases 141 producers at the top of their game in Aotearoa New Zealand. We also see several new entrants to the list, including some newer producers who are making waves with different varieties and styles.

What we hope this list will do is introduce you to the true breadth and diversity which is possible in New Zealand wine.

 Felton Road winemaker Blair Walter TRR
Felton Road winemaker Blair Walter TRR

However, it’s not all change and certainly not for change’s sake! After running The Real Review’s algorithm across all of the tasting notes for the past two years, when the dust settled, Felton Road re-emerged as the Winery of the Year, with Destiny Bay also retaining its position at number two. I cover the reasons for Felton Road retaining their top spot in a separate article published later this week. In third spot is Te Whare Ra from Marlborough.

Significant gains were made by South Island producers who had a less challenging vintage in 2023 than their cousins in the north. This was mostly at the expense of Hawke’s Bay producers who bore the brunt of Cyclone Gabrielle that year, destroying vineyards, buildings and vines.

 Destiny Bay Wines on Waiheke Island
Destiny Bay Wines on Waiheke Island

Despite the challenges, there were some beautiful wines snatched from the jaws of defeat, as amply demonstrated by Te Mata Estate rising to seventh place. I also cover the specific effects of this vintage disparity between north and south in a separate piece.

Looking at the most visible changes to the rankings, Central Otago continues to strengthen its position on the list. Last year, the region stood out for claiming 23% of the list. This year, it is represented by 42 producers (who are either wholly or partly in the region as some own vineyards in multiple regions). This translates to 29.7% which is a reflection of a seemingly unbroken run of good vintages for the region, increased uptake of organic and regenerative farming, investment from both existing and new interests.

Jason and Anna Flowerday of Te Whare Ra Wines.
Jason and Anna Flowerday of Te Whare Ra Wines.

Another region which is punching above its weight is North Canterbury, which now claims 10 wineries on the list, or 7.1% of the total (up from 5.7% a year ago). For comparison, it represents 3% of the country’s total vineyard planted area. Despite the difficulties of 2023, the Wairarapa (which also has 3% of the national vineyard) held its ground, with 14 producers representing 10% of the total list. Those holding down the fort will be looking forward to the 2024s entering the market, with all signs pointing to it being a spectacular vintage for the region.

The other region to note in all of this is Marlborough, whose story is hidden in the details. Despite having the lion’s share of the list (admittedly, they do have the overwhelming majority of the country’s planted area), the wineries which have climbed into the top ranks are not all known for their sauvignon blanc. In fact, a few of them don’t even release one at all, and several of those who do make sauvignon do not make it in the typical style of the region’s calling card.

This is not to deride New Zealand’s most identifiable and commercially successful style of wine but rather to point out that the behemoth of Marlborough is more diverse and detailed than many think. The wineries who have made into the top echelons of the list are as committed to making excellent pinot noir, outstanding chardonnay, arresting aromatics and effusive sparkling wines on top of their benchmark sauvignons.

Over the past few weeks, we have also introduced you to the finalists for our new awards categories; Vigneron of the Year, Rising Star of the Year, and five Wines of the Year in different styles. We are delighted to announce the winners for all eight of these awards at the end of this article. And to address the elephant in the room, yes, all of the winners are producers in Central Otago or Marlborough (A Thousand Gods have their winery in Canterbury but their wines are all from the Churton Vineyard in the Southern Valleys of Marlborough).

This was not a deliberate statement or an intended result; however, we judged each category on their own against their peers and in each case the panel selected the wine or producer they felt best embodied the spirit and substance of the award. It is perhaps a testament to the great work being done in these two regions that they have claimed all the awards between them, but it should not be overlooked that great wine and good work is being made throughout the country—as can be clearly seen in the wider diversity in the list of finalists.

What we hope the Top Wineries list will do is introduce you to the true breadth and diversity which is possible in New Zealand wine, and invite you to celebrate the wonderful wealth of great wine made in Aotearoa. Happy reading!

Taste the Top Wineries of New Zealand 2025

Join TRR in celebrating the Top Wineries of New Zealand. Meet the winemakers and taste their must-try wines at TRR tasting event and dinner. Auckland: Dinner (Thu 5 June)  | Tasting (Sat 7 June)

Winetopia 2020 in Wellington

Winetopia 2020 In Wellington – hosted by Lemongrass productions

Dates: 9 & 10 October 2020

Venue: TSB Arena

Winetopia tickets

Session times:

  • Session 1: Friday 9 Oct (5 pm – 8.30 pm)
  • Session 2: Sat 10 Oct (12 pm – 3.30 pm)
  • Session 3: Sat 10 Oct (4.30 pm – 8 pm)
2020 Winetopia
2020 Winetopia

Information about the event:

  • More than 50 of New Zealand’s best wineries
  • A full schedule of tastings, talks and new experiences
  • This is your chance to immerse yourself in the New Zealand wine scene and celebrate the growers and winemakers that have put this country on the vinous map
  • New to 2020: ‘Wine Blind’ tastings and your chance to sample some ultra-premium wines (these wines are usually found upwards of $100 per bottle) with our new ‘Golden Coin’ currency
  • Masterclasses with Bob Campbell (MW) and Joelle Thomson in Wellington
  • Egmont St Eatery will also have a pop-up restaurant within the event
  • Local band: Super Bad Soul Section will also round out the last hour of the show.

For the Cellar Club, organisers have thrown in a 10% discount which can be applied at checkout to any wine purchases by members from Lemongrass wine buying site winetree.co.nz – Code: treehugger10.

NZ wine to be showcased in new podcast series

thedrinksbusiness.com | 18 February 2019

Industry body New Zealand Winegrowers has teamed up with podcast creator Lawrence Francis of Interpreting Wine in order to provide in-depth coverage of its annual tasting.

The podcast series will take the form of seven episodes, featuring interviews with four winemakers and three regional masterclasses.

The first episode will be unveiled today (18 February) with all seven due to be released by 24 February.

The podcasts are available free of charge on major platforms including Spotify and iTunes. They will also be made available on the New Zealand Winegrowers website at a later date.

The episode schedule is as follows: episode one, Jamie Marfell, group winemaker at Pernod Ricard; episode two, Warren Gibson, winemaker at Trinity Hill; episode three, Sam Bennett, winemaker at Te Pa Wines; episode four, Kevin Judd, winemaker and owner at Greywacke; episode five, Rebecca Gibb MW, a masterclass on Central Otago, episode six, Ronan Sayburn MS and Kevin Judd, a masterclass on Marlborough; and episode seven, Rebecca Gibb MW, a masterclass on Hawke’s Bay

Europe marketing manager at New Zealand Winegrowers, Chris Stroud, commented: “We were delighted when Lawrence approached us to cover our annual tasting on his podcast. This series allows people who were not able to attend our tasting the opportunity to hear directly from the winemakers and learn from the regional masterclasses. We hope it brings a flavour of New Zealand to them.”

Lawrence Francis, content director at Interpreting Wine added: “Podcasting is a versatile and effective tool for wine communication. I know farmers who listen to the show on their tractors and others who play it while driving or working off their wine calories in the gym. In September 2018 Ofcom found that half of UK podcast listeners are under 35 so I think it’s an excellent way to connect with young wine drinkers.”

New Zealand Winegrowers’ annual London tasting took place on 16 January this year. You can listen to the podcast series here.

New Zealand wines and the question of age

Buy my book
Buy my book

Rebecca Gibb MW- 3 August 2018

These words were uttered by the French-born English wine merchant and author André Simon in 1964 when tasting Hawke’s Bay winery Te Mata’s 1912 red blend.  More than half a century after it was first made – the same year as the sinking of the Titanic – the red wine was still very much alive, so why has New Zealand not developed a reputation for making age worthy wines?

Two words: Sauvignon Blanc.

The New Zealand wine industry is dominated by a grape variety that is typically fermented and put into bottle within months – or even weeks – of being harvested. ‘Picked, pressed and pissed before Christmas’ is the life cycle of Sauvignon Blanc in some winemakers’ view.  Why wait for Christmas when you can drink the wine before Easter?  Moana Park winery has released a Sauvignon Blanc on April 1 and that was no April Fools.  If the previous vintage has been small and stocks are running low, a few blocks might be picked early to produce a wine to bridge the gap between vintages, such as Villa Maria’s Early Release Sauvignon Blanc.

However, there are a growing number of smaller, quality focused producers that are holding back their Sauvignon Blancs before releasing, giving them time on lees and time in bottle.  Having tasted some of Marlborough’s finest Sauvignon Blancs at seven or eight years old, drinkers need not be in such a hurry.  Putting the brakes on wineries releasing wines doesn’t help their cash flow and with grape growers to pay and bank repayments due, accountants can overrule winemakers, putting the onus on drinkers to put the wines in their usually non-existent cellars.

It is partly a matter of wine culture: New Zealand does not have a long-standing tradition of making and drinking wine.  Having rejected Prohibition in 1919, the country continued to operate under a cloud of abstemiousness, promoted by restrictive licensing laws.  Until 1961, New Zealanders couldn’t enjoy a glass of wine with a meal in a restaurant.  The 1960s brought licensing change with more and more restaurant licences granted, a rise in the number of wine shops while a rise in tax on beer and spirits in the 1958 ‘Black Budget’ gave wine an encouraging bump.

The 1950s witnessed the birth of aspirational winemakers and pioneers seeking to move away from fortified wine and hybrids to quality table wine made from vitis vinifera, which gained increasing momentum, culminating in legislation outlawing a sugar and water culture and a state-sponsored vine pull in the 1980s.  In the 1970s, regular wine columns had appeared in several newspapers, catering for an educated population who had done their ‘OE’ (overseas experience), travelling around Europe, experiencing wine and food culture.  From just 174ml of wine per capita in the early 1960s, wine consumption increased to 5.3 litres by the end of the 1970s.  In 2016, the figure stood at 20.2 litres but has remained stagnant for a decade.  (Come on team, get drinking, we have to lift this again – Ed)

Red wines in New Zealand, like whites, are all too often released early and consumed early, meaning there are few older vintages available to purchase and enjoy.  There are relatively few wine collectors and fine dining restaurants with cellars and mature stocks of New Zealand wine and thus some wineries are starting to take responsibility for ageing their wines until they approach their drinking window.  Judy Fowler, owner of Puriri Hills Vineyard in Clevedon, Auckland, which specialises in Bordeaux blends, has a Brunello di Montalcino approach to releasing her reds.  “My late release policy is based on the fact that we attempt to produce Bordeaux-blended wines made in the longstanding traditions of Bordeaux.  The great Bordeaux generally benefit from ageing five to 10 years or longer. Our wines are built to age well. However, we are a small, newer vineyard [established 1998] with perhaps another 300 years to earn the reputation for quality that the grands crus of Bordeaux have.  As such, we do not expect our customers all to want to wait for five or more years to taste our wines at their best, so we do the ageing here at the vineyard before release.”   While Fowler is not alone, most wineries don’t apply the release-when-ready-to-drink policy across the entire range, as it can leave suppliers wine-less and raise the prospect of delisting.

It is difficult to judge the ageability of New Zealand wines with so little precedent. In the past decade, young vines have matured, viticulture has evolved, winemaking has become more refined: a Pinot Noir produced 10 years ago from young vines by winemakers that were still getting to know their site will be quite different today than a current vintage opened in a decade’s time. When asked to provide drinking windows for a recent Central Otago Pinot Noir or Hawke’s Bay Cabernet Sauvignon, it is a case of pinning the tail on the donkey.

However, there’s no doubting the country’s best wines have the components to age gracefully: intensity of fruit, richness of ripe tannins, acidity (and pH), alcohol and magic all play their part in the development of a red wine. In whites, high levels of acidity and flavour precursors elongate their shelf life.

There’s also a small matter of the closure: screwcaps are omnipotent in New Zealand. Although a small but significant number of producers continue to seal their top Bordeaux blends under cork (while putting the rest of their range under screwcap), it is likely that the wines will age more slowly, because of the lower rate of oxygen ingress compared with a natural cork.

What is clear, is that far too many New Zealand wines are being consumed before they are out of nappies. It’s time to let them grow up.