After each vintage season, New Zealand Winegrowers surveys members and compiles vintage data snapshots for the industry. The following are the snapshots for 2018.
New Zealand wines and the question of age

Rebecca Gibb MW- 3 August 2018
These words were uttered by the French-born English wine merchant and author André Simon in 1964 when tasting Hawke’s Bay winery Te Mata’s 1912 red blend. More than half a century after it was first made – the same year as the sinking of the Titanic – the red wine was still very much alive, so why has New Zealand not developed a reputation for making age worthy wines?
Two words: Sauvignon Blanc.
The New Zealand wine industry is dominated by a grape variety that is typically fermented and put into bottle within months – or even weeks – of being harvested. ‘Picked, pressed and pissed before Christmas’ is the life cycle of Sauvignon Blanc in some winemakers’ view. Why wait for Christmas when you can drink the wine before Easter? Moana Park winery has released a Sauvignon Blanc on April 1 and that was no April Fools. If the previous vintage has been small and stocks are running low, a few blocks might be picked early to produce a wine to bridge the gap between vintages, such as Villa Maria’s Early Release Sauvignon Blanc.
However, there are a growing number of smaller, quality focused producers that are holding back their Sauvignon Blancs before releasing, giving them time on lees and time in bottle. Having tasted some of Marlborough’s finest Sauvignon Blancs at seven or eight years old, drinkers need not be in such a hurry. Putting the brakes on wineries releasing wines doesn’t help their cash flow and with grape growers to pay and bank repayments due, accountants can overrule winemakers, putting the onus on drinkers to put the wines in their usually non-existent cellars.
It is partly a matter of wine culture: New Zealand does not have a long-standing tradition of making and drinking wine. Having rejected Prohibition in 1919, the country continued to operate under a cloud of abstemiousness, promoted by restrictive licensing laws. Until 1961, New Zealanders couldn’t enjoy a glass of wine with a meal in a restaurant. The 1960s brought licensing change with more and more restaurant licences granted, a rise in the number of wine shops while a rise in tax on beer and spirits in the 1958 ‘Black Budget’ gave wine an encouraging bump.
The 1950s witnessed the birth of aspirational winemakers and pioneers seeking to move away from fortified wine and hybrids to quality table wine made from vitis vinifera, which gained increasing momentum, culminating in legislation outlawing a sugar and water culture and a state-sponsored vine pull in the 1980s. In the 1970s, regular wine columns had appeared in several newspapers, catering for an educated population who had done their ‘OE’ (overseas experience), travelling around Europe, experiencing wine and food culture. From just 174ml of wine per capita in the early 1960s, wine consumption increased to 5.3 litres by the end of the 1970s. In 2016, the figure stood at 20.2 litres but has remained stagnant for a decade. (Come on team, get drinking, we have to lift this again – Ed)
Red wines in New Zealand, like whites, are all too often released early and consumed early, meaning there are few older vintages available to purchase and enjoy. There are relatively few wine collectors and fine dining restaurants with cellars and mature stocks of New Zealand wine and thus some wineries are starting to take responsibility for ageing their wines until they approach their drinking window. Judy Fowler, owner of Puriri Hills Vineyard in Clevedon, Auckland, which specialises in Bordeaux blends, has a Brunello di Montalcino approach to releasing her reds. “My late release policy is based on the fact that we attempt to produce Bordeaux-blended wines made in the longstanding traditions of Bordeaux. The great Bordeaux generally benefit from ageing five to 10 years or longer. Our wines are built to age well. However, we are a small, newer vineyard [established 1998] with perhaps another 300 years to earn the reputation for quality that the grands crus of Bordeaux have. As such, we do not expect our customers all to want to wait for five or more years to taste our wines at their best, so we do the ageing here at the vineyard before release.” While Fowler is not alone, most wineries don’t apply the release-when-ready-to-drink policy across the entire range, as it can leave suppliers wine-less and raise the prospect of delisting.
It is difficult to judge the ageability of New Zealand wines with so little precedent. In the past decade, young vines have matured, viticulture has evolved, winemaking has become more refined: a Pinot Noir produced 10 years ago from young vines by winemakers that were still getting to know their site will be quite different today than a current vintage opened in a decade’s time. When asked to provide drinking windows for a recent Central Otago Pinot Noir or Hawke’s Bay Cabernet Sauvignon, it is a case of pinning the tail on the donkey.
However, there’s no doubting the country’s best wines have the components to age gracefully: intensity of fruit, richness of ripe tannins, acidity (and pH), alcohol and magic all play their part in the development of a red wine. In whites, high levels of acidity and flavour precursors elongate their shelf life.
There’s also a small matter of the closure: screwcaps are omnipotent in New Zealand. Although a small but significant number of producers continue to seal their top Bordeaux blends under cork (while putting the rest of their range under screwcap), it is likely that the wines will age more slowly, because of the lower rate of oxygen ingress compared with a natural cork.
What is clear, is that far too many New Zealand wines are being consumed before they are out of nappies. It’s time to let them grow up.
Stories from 201 Cuba Street (Orsini’s)
By Jordan McOnie | August 31st, 2015
Orsini’s was a benchmark for fine dining not only in Wellington but throughout the nation. Littlejohn brought together the best of restaurant history from white-gloved waiters in dinner suits and silver candlesticks to serving celebrities and surviving the 1918-1989 Liquor Law. The history and story of Orsini’s is a gem in the crown of Cuba Street Character.
A word from the owner

Tradition meant that the front door was always locked at Orsini’s restaurant. On ringing the bell, patrons and visitors would be welcomed and ushered inside.
Celebrity and fame
The restaurant was well known and we had many famous guests. Their names are recorded in our visitor’s book and include, among others, Danny Kaye and Alfred Hitchcock.
At the time of Danny Kaye’s visit to Wellington, he was a roving ambassador for the United Nations International Children’s Emergency Fund (UNICEF). He confided in us that he’d always wanted to wait on tables. After some quick tuition, he set about serving a table – until the unsuspecting diners suddenly realised the true identity of their celebrity waiter!
Liquor and law
Orsini’s was at the forefront of the push to get liquor laws changed to allow restaurants to serve wine and liqueurs with meals. The locked door gave us the opportunity to prepare for the regular raids of the police as they tried to enforce non-drinking regulations.
Bottles were hidden and the customers protected, but there were a couple of nights when the police visited repeatedly, every hour or two, with several policemen marching through the restaurant looking for the evidence. It wasn’t good for business.

On one occasion the police returned unexpectedly and a good customer from London was caught with a glass of cognac in his hand. He gave a false name, that of Antony Armstrong-Jones, the Earl of Snowden, a well-known English photographer and the husband of Princess Margaret. Deftly we distracted the police and switched the incriminating evidence to a glass of coke, and he was spared any further repercussions.
We always looked after our customers.
‘Frankenstein wine’ warning over French supergrapes
Hybrid super grapes will produce ‘FRANKENSTEIN’ French wines that won’t have the same flavour as classic varieties, say purists (but they will be cheaper)
By Imogen Blake for MailOnline | 8 August 2018
- France develops four new types of grape that are resistant to mildew attacks
- Critics say wines made from the new varieties won’t have as much ‘personality’
- It will bring in a generation of ‘cut-price wines’ to compete with Spain, they say
- But others say the new varieties will cut down on the use of fungicides
Disease-resistant ‘super grapes’ developed to reduce the use of fungicides will result in ‘Frankenstein’ wines that lack the flavour of classic French varieties, according to purists.
Four new hybrid varieties of grapes have recently been created in laboratories that are artificially resistant to diseases such as mildew, which have decimated French vineyards in the last few years.

The French National Institute for Agronomic Research (Inra) says the new varieties will help the environment as it will reduce the need to spray vineyards with eco-unfriendly fungicide chemicals.
But winemakers say the new grapes were really developed to launch a new generation of ‘cut-price wines’ that will taste more artificial and less flavoursome than classic bottles.
The new grapes are not genetically modified but are hybrid varieties created by mixing American vine genes with European ones.
But winemaker and researcher, Thomas Dormegnies, from Vendée, in western France, told The Telegraph that the inter-continental varieties would result in ‘artificial and unnatural ‘Frankenstein wine’.
He added: ‘This is like crossing a monkey with and a man: it may be technically possible but it goes against nature.’

He also told The Times: ‘These laboratory varieties are for industrial winemaking and aim to compete with cheap wines from Spain. They are preparing us for a generation of cut-price wines.’
The new grape varieties have been in development for some years but they were officially authorised by the French government this year after downy mildew destroyed grape crops across the country.
Some vineyards in Bordeaux estimate that up to 70 per cent of this year’s grape harvest was ruined compared to a normal winemaking year, according to The Times.
Inra claims that ‘the winegrowing sector will be able to sustain its image of quality and excellence’ by using the new varieties.
However, Mr Dormegnies told The Telegraph that he was ‘underwhelmed’ by the taste of wines made using the new hybrid grapes.
Vice president of France Vin Bio, Jacques Frélin, told NouvelObsmagazine: ‘It’s obvious that a hybrid grape variety will produce a wine with less personality.’
Some winemakers are more enthusiastic, however, with one wine producer telling The Times he was ‘seduced’ by the flavours.
What are the four new varieties of disease-resistant hybrid grapes?
- Voltis – Inra says wines made from these grapes are ‘supple, ample and persistent’
- Artaban – Said to produce ‘light and silky’ wines
- Floreal – ‘Expressive, aromatic and pleasantly fresh’
- Vidoc – Makes wines that Inra calls ‘robust’
New Zealand Wine of the Year™ Awards 2018
The best of New Zealand wine will be discovered at New Zealand Winegrowers’ refreshed wine competition later this year.
The New Zealand Wine of the Year™ Awards is the official national wine competition of the New Zealand wine industry, replacing the Air New Zealand Wine Awards and the Bragato Wine Awards, two of the industry’s major wine competitions.
The New Zealand Wine of the Year™ Awards will combine the very best components of the previous competitions, with a focus on rewarding the grape grower and their single vineyard wines (a core component of the Bragato Wine Awards), as well as championing New Zealand wine excellence on a larger scale (a key objective of the Air New Zealand Wine Awards).
John Clarke, New Zealand Winegrowers Board Chair, says the New Zealand Wine of the Year™ Awards is a fresh approach to celebrating excellence in New Zealand wine.
“The opportunity to recognise the achievements of our grape growers and winemakers in one competition is exciting. The New Zealand Wine of the Year™ Awards will help us to continue building on New Zealand wine’s excellent global reputation,” Mr Clarke says.
Judging of the wines will take place in the first week of October in Auckland. Highly regarded Hawke’s Bay winemaker and Chair of the Air New Zealand Wine Awards, Warren Gibson, will lead as Chair of Judges, with Marlborough winemaker and Chair of the Bragato Wine Awards, Ben Glover, alongside him as Deputy Chair.
Mr Gibson says the new competition is an exciting opportunity to completely refresh the New Zealand wine awards scene.
“The New Zealand Wine of the Year™ Awards 2018 is more than an amalgamation of the previous two; it is the development of a new, fresh and exciting format. The focus is strongly towards celebrating the entire New Zealand wine industry, with a particular focus on vineyard excellence and
regionality,” Mr Gibson says.
Entries for the New Zealand Wine of the Year™ Awards open on 1 August, with the winners celebrated at the New Zealand Wine Awards on Saturday 3 November in Wellington. More information on the New Zealand Wine of the Year™ Awards can be found at nzwine.com/events.
Vintage 2018 benefits from warm summer
New Zealand Winegrowers | 25 June 2018
A warm summer benefited New Zealand’s winegrowing regions, with 419,000 tonnes of grapes harvested during Vintage 2018.
This is up 6% on the 2017 tonnage but is still lower than initially anticipated in a season marked by a very early start to harvesting.
New Zealand Winegrowers CEO Philip Gregan says many wineries had been hoping for an even larger vintage, given 2017’s small harvest.
“However, we now expect export growth in the year ahead will be modest. It will be up to wineries to manage any product shortages from the vintage.”
In addition to prompting an early harvest, the warm summer produced fruit with good ripeness levels.
A highlight from Vintage 2018 is the increased production of red wines.
“Production of both Pinot Noir and Merlot has lifted more than 20% on last year, which will be welcomed by both wineries and consumers. These varieties were down sharply in 2017 and it is very positive to see a return to more normal production levels this year,” Mr Gregan says.
New Zealand Winegrowers is confident Vintage 2018 wines will add to New Zealand’s reputation as a premium producer of cool climate wines.
“Every vintage is different and ultimately the final test is the quality delivered in the bottle to consumers. We are certain that consumers will enjoy the benefits of the warm summer when they get to taste the wines from Vintage 2018,” Mr Gregan says.
New Zealand wine exports are currently valued at $1.71 billion, up 3% in the past year. Wine is New Zealand’s fifth largest export good.
For further information contact:
Philip Gregan
Chief Executive Officer
New Zealand Winegrowers
021 964564
Lots of news from Ash Ridge
With another great vintage in the winery, we can all take a small breath and focus on having a little bit of downtime, and enjoying some older vintages! As always, there are lots of new things happening at the winery, and more to come, here are the current highlights.
Online Ordering is now live

As promised you can now go to our website http://www.ashridgewines.co.nz
As the home of Ash Ridge our cellar door has been a major focus, and we are constantly upgrading everything we do. The latest change is the new menu we have just launched. We are moving to a more Bistro style menu with entree, main and dessert options. So if you feel like a treat please book in for a lunch! Please remember that as a Wine Club member you get 25% off food as well as wine.
Functions and Weddings
Our new facility really opens up a myriad of options for us and you. The new building capacity is 100 people, so we can host functions for much larger groups in beautiful and comfortable surroundings. Our dining area allows for group sizes of 40-45 people seated, and we are also looking at hosting weddings. We are licensed until 10 pm, so we are able to accommodate evening functions as well.
If you have any interest in any of these options, please contact me at cellar@ashridgewines.co.nz.
Wine Boxes all now sent
We have completed the May deliveries. Thank you for your patience, we have tried to ensure that all packages have been delivered in a timely manner through Toll, but if for any reason your box has not arrived please contact me at cellar@ashridgewines.co.nz, and we will hunt down the delivery.
I really want to thank you, everyone, for all your support. As a small winery, we can only do what we do with your ongoing support. In a world were access to retail channels is becoming harder and harder, having the direct support of wine lovers is what keeps us going, and we appreciate your current and ongoing support.
Chris and the Team at Ash Ridge.
French vineyard was a tarnished asset when it was sold on a handshake – now it’s a $1b superstar
Devon Pendleton | May 16, 2018

When her father died in 1980, Corinne Mentzelopoulos inherited a business empire that included 1600 grocery stores, 80 buildings in central Paris, a hotel that was once the home of Louis XIV-and a run-down vineyard the family had purchased almost on a whim three years earlier.
Today, the vineyard has made her a billionaire. It’s Chateau Margaux, one of just a handful of properties that can claim the prized Premier Cru designation bestowed by Napoleon III in 1855 upon Bordeaux’s very best terroirs for making wine.
Hawke’s Bay Wine – Autumn/Winter edition

Hawke’s Bay Winegrowers presents your digital issue of Hawke’s Bay Wine – Autumn/Winter edition
- Studying Syrah berry size
- Turning vision into reality – a business strategy for Hawke’s Bay Wine
- Ngaruroro WCO – cautious optimism
In every issue we profile Hawke’s Bay Wine companies and personalities, wine from our region and associated sectors. We offer up a number of informed viewpoints, cover the news and present a range of wine-related feature stories.
Do you have news relating to Hawke’s Bay Wine Sector?
Email: hawkesbaywinemag@xtra.
Advertising enquiries can be directed to Kite Communications
Things you always wanted to know about wine
Cathy Gowdie – Stuff | October 25, 2017
(These are some excerpts from an article which actually canvassed 10 things you might want to know about wine. I have picked out several that I found more interesting. The rest, in fact, we didn’t want to know.)
What is orange wine if it’s not from oranges?

Orange, some say, is the new rosé, occupying the demilitarised zone between red and white. The colour crosses a spectrum – from pale apricot to enraged Trump, all the way to amber – but what’s really different about orange wine is the way it’s made. Traditionally, red wines are made from the juice of red grapes plus grape skins. Whites are made without skins.
Orange wines are made from white grapes but get the red-wine treatment – the juice is macerated with the skins, a technique dating back 8000 years to wine’s birthplace, Georgia. The resulting texture, tannin and colour means these “skin-contact” wines have more in common with reds than whites; styles vary from fruity, floral or earthy to sour and funky.
What is natural wine and why are people so excited about it?
Natural winemaking is a broad church in which wines are generally (purists say must be) made from grapes grown without commercial chemicals. Processing takes place with minimal “intervention” – so, for example, the wine may not be filtered to remove cloudiness. Additives, such as sulphur dioxide – used for centuries to keep wine tasting fresh – are shunned or kept to a minimum. It’s a departure from the kind of large-scale industrial winemaking that values hygiene and consistency over quirks and imperfections.
As with conventional wines, quality varies hugely. There’s no regulation of what’s called natural, so if you’re going that way to avoid chemicals, look for certified organic or biodynamic wines – they’re more likely to be what you’re paying for. When made by winemakers of skill and integrity, the best natural wines celebrate quality, individuality and character – hallmarks of all great wines, regardless of whether they’re pitched as natural.
What’s better – Pinot Gris or Pinot Grigio?

Same grape, different name – one name is French, the other Italian, with “gris” and “grigio” both meaning “grey”. In Europe the French approach to making gris produces a highly perfumed wine with plenty of mouthfeel; grigio from Italy is often (not always) a crisper, lighter wine. “Better” is in the eye of the beholder – good news is they’re all food-friendly styles. So in short, no difference in the grape, just the name.
Why might some wines contain traces of eggs, fish or milk?
Egg whites with fish bladders and milk: a dish that might make guests at a Game of Thrones banquet actually welcome the post-dinner massacre. Yes, it’s medieval stuff – each of these has been used for centuries to “fine” wine. Fining is a process in which one or more of these proteins is dropped into unfinished wine to bind with components that taste bitter, astringent, or are likely to make the wine hazy. They are then removed. Traces, as the label states, may remain.
If any of the above have been used you’ll find them listed on the label as allergens. The fish bladder derivative also goes by the name isinglass and is rarely used in Australia but egg whites and milk products are still common.
How long will a wine keep after it’s been opened?
Like fish and houseguests, opened wine smells less appealing after three days. Aim to finish an open bottle over no more than two nights. As a rule of thumb, red wines stay in condition for longer than whites (some robust reds taste better on day two). Exposure to air changes the aroma and flavour of opened wine, so reseal a bottle you’re not planning to finish in one go.
A bottle that’s mostly full will last better than one with only a glass or two left. It’s about the proportion of air to wine – more air in the bottle means faster deterioration. Store an opened bottle upright, not on its side. If you keep a clean, empty half-bottle handy, decant unfinished wine into that – it will stay fresher than in a full-size bottle. Otherwise, start scouting wine-saving devices.
(This last item may not reflect editorial opinion, surely once the bottle is opened it deserves to be finished in one sitting. The person I live with frequently draws my attention to the week that passes between a tasting and when the committee downs the tasting leftovers, but members may not understand the deterioration that has occurred during that time and the generous effort made by committee members to get rid of these leftovers on their behalf.)
First harvest – Grant Taylor
We all appreciate Grant Taylor’s knowledge, expertise and sense of humour. But I’ve never heard a harvest described the way Grant has in the latest edition of the winegrower magazine. He describes the anticipation of a first harvest after he has taken over managing a vineyard in the Waitaki Valley.
Montana Wines dumps Kiwi grapes in favour of Australian
Belinda Feek | NZ Herald reporter based in Hamilton | belinda.feek@nzherald.co.nz | @ought2bee

A Kiwi wine reviewer has slammed one of the country’s best-known wine labels for its decision to start using Australian grapes in some of its wines.
Montana has ditched its award-winning Marlborough grapes for those from across the ditch to keep it cheap for consumers.
And many consumers looking for a well-priced New Zealand wine will not be aware of the change unless they check the back of the bottle.
At this stage, the move is just for its Montana Classic 2017 sauvignon blanc and Montana Classic 2016 pinot noir. Wine aficionado Bob Campbell wrote about his disgust in the move in his latest column online.
He dubs the move legal but “deceptive” and says the Montana brand is “as Kiwi as Buzzy Bee, Jaffas and Fred Dagg”.
Montana was bought by alcohol distribution giant Pernod Ricard in 2010 and eventually renamed Brancott Estate to avoid confusion in the United States.

Montana’s classic range has been selling for $9.99 recently, a price Campbell believed now justly depicts the quality of the wine.
Campbell said that although he is yet to taste the drop, there was a reason for the price difference.
“Australian sauvignon blanc is, by and large, inferior.”
Campbell told the Herald Montana wine was close to his heart as he was working for it in 1973 when it planted its first grapes.
“I began my wine industry career in 1973 as an accountant with Montana so I guess it’s kind of personal. I might be overstating the case but it’s just that, to me, Montana and Marlborough are inextricably linked.”
The sauvignon blanc was due to be released this month, he said.
He described Marlborough sauvignon grapes typically producing “punchy, aromatic, zesty, tropical” flavours, as opposed to Australian grapes having “much less” character.
He’d been in touch with Pernod Ricard, which had confirmed the company had been trialling Australian grapes for two of its wines last year. It was also keen to keep delivering good wines in the under-$10 category.
Pernod Ricard New Zealand managing director Kevin Mapson said increased demand and the rising costs of New Zealand grapes meant it was increasingly challenging to produce New Zealand-sourced wine that could be sold for under $10.
“By sourcing grapes from Australia, we can continue to make wines of the quality that Montana consumers expect at the same price point. This sourcing transition only applies to the Montana Classics and Montana Affinity ranges. All the other Montana ranges will continue to be made from New Zealand grapes,” Mapson said.
He said the company had worked hard to minimise the change in style but said it was true Australian sauvignon blanc was less “aromatic” than that from Marlborough so would seem more “subdued” but disagreed the grapes were inferior to New Zealand’s.
Mapson said the company had adhered to all the legal requirements for labelling so consumers were aware of the country of origin and were communicating the change to trade customers.
Over time most of the Montana Classic and Affinity wines would be made from Australian grapes, he said.
But he maintained the company was committed to its Kiwi heritage and had recently invested in the Montana Reserve range and that, along with its Montana Festival Block and Winemaker Series, would all continue to be sourced from New Zealand grapes.
Marcus Pickens, the general manager of Wine Marlborough, said they were aware of the move and it would be discussed at their next board meeting.
He said there were rules in New Zealand around the labelling of wine, which Montana would be aware of, as there was evidence it caused confusion for customers.
NZ Wine Growers Association declined to comment.
When Montana wines made with Australian grapes will hit the shelves:
- Montana Classic pinot noir 2016 – December 2017
- Montana Classic sauvignon blanc 2017 – January 2018
- Montana Classic chardonnay 2017 – August 2018
- Montana Classic merlot cabernet – August 2018
- Montana Affinity sauvignon blanc 2018 – November 2018
- Montana Affinity pinot gris 2018 – November 2018