6 Major Mistakes You’re Making When Pairing Wine With Cheese

Betty Gold, August 19, 2020 | RealSimple

Photo: Getty Images
Photo: Getty Images

Pairing wine with cheese is far from rocket science—even the “wrong” matches will still taste (mostly) stellar. That being said, you didn’t spend who-remembers-how-much on that sommelier-led pairing course last year to be left in the dark when you need the advice—and the brie—most.

Here, we tapped three wine and dairy professionals for the top mistakes people make when matching wine with cheese, plus how to fix them. Because who says you need to host a crowd to fix yourself a fancy, delicious hors d’oeuvres?

Pairing Red Wine With Soft Cheese

According to Laura Werlin, a James Beard Award-winning cheese author, red wine typically has more tannins and low acidity which can cause soft cheeses to taste chalky. Instead, reach for an equally full-bodied, flavorful cheese, such as an aged cheddar, if you must drink a red wine. The tannins act as a palate cleanser, making each bite and sip just as delicious as the last.

Mismatching Intensity and Flavors

Reddit: A guide for pairing wine and cheese. Posted by Ralome
Reddit: A guide for pairing wine and cheese. Posted by Ralome

The pairing rule of ‘like with like’ rings true when pairing wine and cheese. “In general, white wines pair best with lighter, milder cheeses,” says Werlin. This allows the fresh, often fruity notes of the white wine to enhance the sweet creaminess of the cheese. In fact, Werlin suggests pairing most cheeses with white wines. An unoaked Chardonnay pairs well with an alpine-style butterkase or Swiss cheese while Riesling goes with asiago or Parmesan, and Sauvignon Blanc with cheddar or gouda.

Forgetting the Palette Cleanser

“When tasting a variety of cheeses with wine, it is always good to have a palate cleanser,” says Ken Monteleone, owner of cheese shop Fromagination. He recommends Potters wheat or white crackers, water crackers, or bread (like a plain baguette, nothing grainy)—they act like sponges to absorb any lingering flavors. Also, avoid anything flavored or overly salty, as the point is to refresh the palate for each new wine.

Rushing Through Without Savoring the Process

“Before we start a tasting with a variety of our delicious cheeses, we like to open up the taste buds,” says Monteleone. “Pinch your nose and then un-pinch and you will be ready for a wine and cheese tasting.” Remember to savor and taste. “Slow down, look and smell, then taste. Visualize and isolate flavors as you’re tasting. Identify flavors in the wine and the cheese before moving on. Pay attention to texture and body.”

Playing It Safe

Cheese & Wine Flight for 2 – Milk the Cow Licensed Fromagerie

Pairing wine and cheese is all about finding new flavor combinations and having fun. “Try a Wisconsin original cheese, such as Sartori’s Merlot BellaVitano with Fantesca King Richards Reserve Pinot Noir 2018 and Crissante Barolo 2014,” says D Lynn Proctor, director at Fantesca Estate and Winery. “The style, the palate, the texture is simply amazing.” Cheese should take you on an adventure of taste and texture. Get out of your comfort zone by trying something unique like Roelli’s Red Rock, a bright orange Cheddar Blue combination. Bubbles are very forgiving, so a sparkling wine is always a good choice for cheese wildcards. Want another unique idea? Grab some bubbly and pair it with a blue cheese for an unexpected dessert pairing after dinner. The crisp carbonation of the sparkling wine will cut the creaminess of the bold, blue cheese.

Taking the Task Too Seriously

“You’re here to learn and experiment, and not every pairing is going to take the world by storm,” assures Molly Browne, the education manager for Dairy Farmers of Wisconsin and an American Cheese Society Certified Cheese Professional. “The worst thing that you can happen is that you eat something slightly less than delicious, and that’s just motivation to buy more cheese and try again.” And go outside your comfort zone. It’s great to pick one beverage to pair with one wine, but you will learn a lot more from tasting around the board/across the flight. “Once you’ve sampled your intended pairing, push your palate even further by trying an unintentional pairing and seeing what happens.”

How Natural Wine Became a Symbol of Virtuous Consumption

The mainstreaming of natural wines has brought niche winemakers capital and celebrity, as well as questions about their personalities and politics.

By Rachel Monroe | From November 25, 2019 Issue of the American Chronicles.

Winemaking methods that once seemed suspect now look like authenticity.Illustration by Greg Clarke
Winemaking methods that once seemed suspect now look like authenticity.Illustration by Greg Clarke

In 2010, Dani Rozman had just graduated from the University of Wisconsin. He was so deliberate and thoughtful that his friends claimed it was inevitable that he’d end up a history professor with a closet full of cardigans. But Rozman went to Argentina instead, and wound up in Mendoza, the hub of the country’s wine scene, working at a startup that helped wealthy people realize their wine dreams—you could buy a vineyard from afar, have someone else farm it, design the labels, and receive cases of “your” wine to show off at dinner parties.

One summer, Rozman went to Itata, at the southern tip of Chile’s wine-producing region, to work the grape harvest at a local winery. He had the impression that winemakers were like the clean-cut guys in Napa with family money and fleece vests. Itata was different. The winery was just a shipping container and a mesh tent, and the work was non-stop. Rozman had grown up in a health-conscious family that nonetheless “had to be reminded that food was farmed,” he said; being in daily contact with plants felt revelatory. Some of the vines had been planted centuries earlier, by conquistadores and missionaries. The grapes were País, a varietal that had fallen out of favour as winemakers turned to popular ones like Cabernet Sauvignon. The methods were traditional, too—the fruit was picked by hand, destemmed with a bamboo implement called a zaranda, then fermented in clay pots. The finished product was startling, in a good way. “At that time in Argentina, Malbec was king,” Rozman told me. The country made lots of homogeneous, high-alcohol wines aged in oak barrels, catering to international appetites—“the French-consultant thing,” as Rozman put it. To him, they tasted heavy and expressionless, while the Itata wines were stripped down and elemental. “It was like night and day,” he said.

Artisanal wines had already found a following in European and Japanese cities and were beginning to win converts in the United States, too. Their novelty lay precisely in the makers’ veneration of tradition, their rejection of the high-tech methods that many conventional vintners relied on. The wines were typically made with organic grapes, using no added yeast, no filtration, no chemical additives, no new oak barrels, no mechanical manipulations. The wines were variously described as low-intervention, naked, or raw; the term that eventually stuck was “natural.”

In the past few years, natural wines have acquired a hipster cachet, with natural-wine bars popping up in cities from Seattle to Kansas City and Helena, Montana. Kasimir Bujak, a buyer for the Wine Source, a store in Baltimore, told me, “It’s a trickle-down effect from Brooklyn—and that means people in Columbus are going to be drinking it next.”

Rozman said, “Ten years ago, people in their twenties weren’t hanging out at wine bars. Now they’re packed.” In the Napa boom of the nineteen-nineties, consumers prized wines that were rich and flawless. Now they’re seeking out wines that are more expressive than correct; wines that are earthy, with visible sediment; wines that taste alive.

Read the full story on the New Yorker website.

Project to explore turning waste into hand sanitiser

Maia Hart, May 26 2020 | stuff.co.nz

The stems and seeds leftover after pressing left grape marc, which in Marlborough was around 46,000 tonnes of waste a year. | STUFF
The stems and seeds leftover after pressing left grape marc, which in Marlborough was around 46,000 tonnes of waste a year. | STUFF

Turning waste into hand sanitiser is the next project for a research winery based in Marlborough.

The Ministry of Business and Innovation (MBIE) has awarded $84,700 in funding to Bragato Research Institute (BRI) for a pilot study exploring turning grape marc into hand sanitiser.

Grape marc is the stems and seeds leftover after pressing – which in Marlborough can total as much as 46,000 tonnes of waste per year.

The study would look to turn winery waste into ethanol. Any sanitiser made in the initial eight-month study would be bottled and donated to Marlborough health workers and first responders.

Bragato Research Institute chief executive MJ Loza said the industry was continuously looking at alternative uses for grape marc, and Covid-19 presented BRI with “an opportunity to learn more about its properties while exploring a potential business case for a new product”.

Bragato Research Institute chief executive MJ Loza said the industry was continuously looking at alternative uses for grape marc. | SCOTT HAMMOND/STUFF
Bragato Research Institute chief executive MJ Loza said the industry was continuously looking at alternative uses for grape marc. | SCOTT HAMMOND/STUFF

“Using winery waste to produce ethanol for hand sanitiser is untested in the New Zealand context with our varietals. We haven’t had the capability to conduct a study like this in New Zealand until now,” Loza said.

“Managing grape marc has probably been viewed as a disposal issue. However, the marc itself is increasingly being studied for other properties.

“Transforming the wine industry’s waste into a value stream is a research priority. Every time we study grape marc, we learn a little more about its potential for a new commercial product.”

In the long term, the project would explore the business opportunity for the industry to turn waste into sanitiser, which would include “more information on costs, the infrastructure needed and technical findings specific to grape marc produced in New Zealand”.

“We know that grape marc is rich in valuable compounds. The challenges lie in finding a new economy for grape marc without creating a bigger environmental footprint, as well as finding a financially viable market for a new product,” Loza said.

Bragato Research Institute trials winemaking equipment, technologies and processes. | SCOTT HAMMOND/STUFF
Bragato Research Institute trials winemaking equipment, technologies and processes. | SCOTT HAMMOND/STUFF

Funding for the project was secured through MBIE’s Covid-19 Innovation Acceleration Fund, which was created to support research and projects in covid responses, and provide support to develop and deploy products, processes and services.

The project would be led by winery research manager Dr Tanya Rutan and research programme manager Dr Matias Kinzurik.

Bragato officially opened their research winery in February, based at the Blenheim campus of Nelson Marlborough Institute of Technology.

The new facility will trial winemaking equipment, technologies and processes as well as sustainable winery operations.

It will also provide commercial research winemaking services to suppliers and the industry.

Winemaking in Central Otago

Did you know?

The first winemaker attracted to Central Otago was John Desiré Feraud who came to the area during the Dunstan gold rush of 1862, and after investing in a claim became rich overnight. Feraud, who was from a French winemaking family, recognised the potential for grape growing, and leased 40 hectares in Clyde where he planted the first wine grapes in 1864.

Over the next 20 years, he made a variety of wines even winning a prize for his Burgundy-style wine in Sydney in 1881. His farm, named Monte Christo Gardens, was an extensive garden of fruit trees, vegetables and 1200 vines, along with a winery which still stands today.

During this period, viticulturalist Romeo Bragato also visited Central Otago and declared the area as one of great potential for grape growing. However Feraud and Bragato’s enthusiasm for grape-growing did not spread to others and when Feraud left the region, commercial winemaking ceased. Over the next hundred years, no one tried to grow grapes again and the focus for Central Otago was on sheep farming and fruit production.

It wasn’t until the late 1970s/early 1980s that grapes were once again planted with the first commercial wines being produced again in 1987. So it’s been a little over 20 years since the riches of the land have been rediscovered.

Wine 101: How to Save Leftover Wine

See the Wine Spectator video, How to Save Leftover Wine

Have some leftover wine from your last dinner party? It would be a shame to let it go to waste—and you don’t have to! Learn the best ways to store leftover wine and the most important preservation factors to keep in mind in this quick tutorial.

OK, so for most of us in NZ, all we do is return the screw cap to the wine bottle. But if you want to reduce the rate of oxidation, then I would recommend you click on this link and watch the video from Wine Spectator. I especially liked the Pro tip at the very end of the item.

 

Why amateur wine scores are every bit as good as professionals’

By Mark Schatzker and Richard Bazinet | Updated May 25, 2018

Article summary

Few consumer products offer as staggering a range of choice as wine. You can buy a bottle of Dark Horse Big Red Blend for $8. Or for around $500, you can get a 2012 bottle of Sloan Proprietary Red. Yet for each bottle, the same question applies: Is it any good?

The rise of the wine-rating crowd

CellarTracker, a site where amateur wine enthusiasts can rate wines.
CellarTracker, a site where amateur wine enthusiasts can rate wines.

In 2004, Eric LeVine — then a group program manager at Microsoft — launched CellarTracker, a site where amateur wine enthusiasts can rate wines. Today, CellarTracker is the web’s most popular “community” or “crowdsourced” wine review website, containing 6.3 million reviews from 113,000-plus users for more than 2.2 million different wines.

Amateur and professional wine scores correlate very tightly

How similar? We ran a statistical tool called a Spearman correlation and got a figure of 0.576. A perfect correlation is 1. An utter non-correlation is 0. A score of 0.576 may not sound impressive at first, but it can actually get worse than 0 — a negative correlation, which is what you would see if you compared, say, shortness with the likelihood of playing professional basketball.

Amateurs appear more expert than the experts

It looks very much like the enthusiasts actually do a better job of agreeing with the experts than the experts do with each other. That might sound odd, but out of thousands of wines we analyzed, only a handful contradicted this pattern. Simply put, if you want to know what the experts think, the best place to look appears to be, of all places, CellarTracker.

The better the wine, the more experts agree with the amateurs

How do wine enthusiasts compare with the experts like Robert Parker and Jancis Robinson? Very well. Javier Zarracina How do wine enthusiasts compare with experts like Robert Parker and Jancis Robinson? Very well.

There is also a tendency for scores to converge as wines improve in quality. This is evident in the arrow shape of the clusters in figures comparing CellarTracker with Wine Advocate and CellarTracker with International Wine Cellar. Average scores, furthermore, are high. On Wine Advocate, the average score was 89, on International Wine Cellar it was 91, and it was 17 out of 20 for Jancis Robinson. On CellarTracker, it was 89. This tells us that experts and enthusiasts alike don’t seem to be spending a great deal of time scoring mediocre wines.

Read the full article

Hawke’s Bay Wine – Autumn/Winter edition

Click cover image to view the autumn & winter issue. Opens in a new tab
Click cover image to view the autumn & winter issue. Opens in a new tab.

Hawke’s Bay Winegrowers presents your digital issue of Hawke’s Bay Wine – Autumn/Winter edition

  • Studying Syrah berry size
  • Turning vision into reality – a business strategy for Hawke’s Bay Wine
  • Ngaruroro WCO – cautious optimism

In every issue we profile Hawke’s Bay Wine companies and personalities, wine from our region and associated sectors. We offer up a number of informed viewpoints, cover the news and present a range of wine-related feature stories.

Do you have news relating to Hawke’s Bay Wine Sector?
Email: hawkesbaywinemag@xtra.co.nz.

Advertising enquiries can be directed to Kite Communications

The A – Z of wine

Glengarry’s Sunday ramblings of all things vinous, grain and glorious. Issue 9, The A – Z of wine.

Goodbye Winter. Can’t say we’re sorry to see the back of you, what with the wind and the rain and the flu; when all’s said and done, there’s only so much a warming glass of red wine will fix.

However, we turn our gaze and our palates to the more benign months with a glowing shimmer of anticipation. It’s reboot and refresh time, and what better way to kick things off than with a quick A-Z of things vinous for your general edification. From A for acidity to Z for Zinfandel, there’s bound to be a little bit of something in there to intrigue and interest many of you.

What else? We feature Zephyr wines, the appropriately-named vehicle for the impressive winemaking skills of Ben Glover. Bach Brewing, only three years old but already so weighted down with medals. An exciting new offering from Gisborne’s Matawhero winery, the Irwin Chardonnay. Belvedere vodka – Polish know-how 600 years in the making. The under-the-radar genius of Champagne Moutard.

Blue Wine Is Now a Thing You Can Drink

(From the they must be joking file – Ed)

Blue Wine Is Now a Thing You Can DrinkRosé wine? So passé. Red and white? Please, those are centuries old. But now, some good news for those seeking the next big thing in beverages: a Spanish winemaker is crafting an electric blue wine.

“Try to forget all you know about wine,” the website for the brand, Gik, reads. “Ignore all the preconceptions and standards regarding [the] wine industry and turn a deaf ear to what the sommelier told you in the wine tasting last week.”

The vino is created from an undisclosed combination of red and white grapes that has “no aging procedure.”

If you want to get technical, Eater reports that the “juice is hued neon blue with anthocyanin (a pigment found in grape skin) and indigo (a dye extracted from the Isatis tinctoria plant), and a non-caloric sweetener is added as well.” A bottle sells for about $11, and is currently available in Spain, France, the United Kingdom, the Netherlands, and Germany, with U.S. expansion in the works.

So why blue? Eater asked co-founder Aritz Lopez, who made a case for his new product, even though he’s never had any winemaking experience. Apparently, Lopez and team were inspired by the concept of “red oceans,” which represent “business markets saturated by specialists (sharks) who fight for the same variables and for a reduced number of clients (fish), and end up in water turned red.

And how it’s necessary to revert this, by innovating and creating new variables, back to blue. This seemed poetic for us to turn a traditionally red beverage into a blue one,” López states. Form, meet poetic function. The only remaining question: will this turn our teeth blue, too? Either way: salud!