Sustainably Crafted New Zealand Wine – 100 years in the making
Wednesday 9th August, 8 pm Start Door Price: Members $14 / Guests $18
People thought Josip Babich was crazy back in 1912. Planting vines in West Auckland and then patiently making wine the difficult way – with great vision, graft, thoughtfulness, ingenuity, and true craft. That pioneering spirit is something that still runs deep in our veins today, and we’ll keep ‘paying it forward’ for as long as we exist.
Over 20 years ago, we registered our first sustainable vineyard – a New Zealand first. But we’re not content to look back because what you’ve done is not who you are. We’re more excited about our future than ever and applying 100 years and three generations of winemaking experience to sustainably craft the most drinkable wines from New Zealand to the world.
Sustainability is always better when shared. Babich’s iconic NZ wine regions: Marlborough is home to some of the world’s finest Sauvignon Blanc. And a second home to Babich since we established vineyards there in 1989. Hawkes Bay is internationally renowned for its soil profile – perfect for supple, robust and sophisticated reds.
An experimental vineyard is one of the ways that science will ensure the world will still be able to enjoy New Zealand wine as the climate changes.
With the ability to fine-tune the environmental conditions, scientists at the Plant & Food Research Experimental Future Vineyard at the New Zealand Wine Centre -Te Pokapū Wāina o Aotearoa – will be able to mimic expected climate scenarios of the future.
Plants grown in the new 600sqm facility which is due for completion in 2024, will help scientists understand how different temperatures, soil types and water availability may impact grape production in the future, and provide the industry with key knowledge to help it adapt.
The experiment comes as a Plant & Food Research study suggests areas of the North Island suitable for growing Sauvignon blanc vines are likely to substantially reduce this century as climate change brings rising temperatures.
Dr Jill Stanley, Plant & Food Research Science Group Leader, Fruit Crops Physiology. Photo / Supplied
However, Plant & Food Research Science Group Leader, Fruit Crops Physiology, Dr Jill Stanley, says it is not all bad news for connoisseurs of the wine – one of New Zealand’s most popular varieties – as modelling under both low and high temperature rise scenarios also shows areas of the South Island are likely to increase in growing suitability.
“Moderate gains are predicted in Marlborough, Canterbury and central Otago under low rise scenarios, but substantial gains under higher temperatures,” she says. “By mid-century, there may be an opportunity for Canterbury and parts of Otago to become global Sauvignon blanc powerhouses, alongside Marlborough (New Zealand’s current prime Sauvignon blanc producing region, accounting for 72 per cent of output).
“So, if you like a drop of New Zealand Sauvignon blanc, you’re probably going to be okay.”
Chief Sustainability Officer, Dr Roger Robson-Williams, says Plant & Food Research is working with a variety of industry sectors, to understand what and where crops can be grown in the future. By using computers to jump in a ‘virtual time machine’, scientists can see what rainfall patterns and temperatures are going to look like in different parts of Aotearoa.
“Climate change is going to affect what we eat over time,” he says. “For wealthy nations, the impact may seem quite small at first, as they will generally have the resources to secure more-or-less whatever foods they want for the time being.
“For less developed countries, climate change will produce real issues in terms of food security; not just impacting the type of foods available but, more worryingly, it will lead to absolute scarcity of food with ever-increasing risks of crop failures around the globe. We want to make sure that New Zealand can continue to grow good, nutritious food, for ourselves and for others.”
Robson-Williams says the first step is to get a picture of what crops will grow well and where; these may be crops we already have, or new crops.
“We’re also looking at improving our current crops so they can cope better with the impacts of climate change – be it drought tolerance, resistance to different pests and diseases, or just the ability to grow in hotter conditions,” he says.
Stanley says the research contains a key message for growers and the industry: “It’s increasingly important growers start thinking about what the future holds and the adaptations they can take to mitigate and reduce the effects of climate change.
“While we don’t know for certain what is ahead as many different factors affect how crops are grown, the research is designed to give the sector some idea of what could occur,” she says.
Dr Zac Hanley, General Manager Science New Cultivar Innovation, Plant & Food Research. Photo / Supplied
As well as changing to varieties that are more suited to the changing climate, Stanley says growers could adapt the way they grow crops, such as using covers to protect them from increasing risk of rain and hail. They could change the crops they grow (for example growing avocados or apples instead of grapes) or consider expanding into different regions.
Dr Zac Hanley, General Manager Science New Cultivar Innovation, says that the changing climate might also create new opportunities for New Zealand’s horticulture sector.
“We’re bringing new crops into New Zealand, testing things that might be able to cope with future conditions. For example, New Zealand might be able to successfully grow sub-tropical plants like dragon fruit as our climate changes, and that could be a potential new industry for growers in these warmer regions.”
New Zealand-Viet Nam dragon fruit breeding programme. Photo / Supplied
A joint New Zealand-Viet Nam dragon fruit breeding programme has resulted in the development of the first varieties of dragon fruit that could form the basis of a New Zealand sector.
Supported by the Ministry of Foreign Affairs and Trade, the New Premium Fruit Variety Development project has bred three new varieties of dragon fruit which will be commercialised globally by VentureFruit, a T&G Company. Initial testing and evaluation is underway to determine how these new varieties could be commercially grown in Northland.
Plant & Food Research is also looking at the viability of commercial production of other non-traditional crops, such as peanuts in Northland and almonds in the Hawke’s Bay, that may do well in New Zealand’s future climate.
Dr Samantha Baldwin, a Science Group Leader at Plant & Food Research. Photo / Supplied
Growing indoors, away from the weather, is also an option. Dr Samantha Baldwin, a Science Group Leader at Plant & Food Research, says their research is attempting to make sure New Zealand can deliver food than can be grown long into the future, despite the climate issues being experienced.
She says indoor growing could help food security “because we can basically recreate the entire environment within a controlled area so we can take out the risk not only of erratic weather but also seasonal weather. We can create all seasons in one day if we really want.”
Stanley says that climate change will potentially have major impacts on New Zealand and growers are already thinking about how they will respond.
“The horticulture sector needs to weigh the costs of adaptations or mitigations to climate change against the economic impact of doing nothing,” she says. “It is great to see industry bodies starting to think about what these changes might mean and to plan accordingly.”
It’s a steaming 26.5C in Hawke’s Bay as a retired King’s Counsel handpicks Chardonnay grapes in the wake of a cyclone.
He’s one of a team of volunteers who heeded the call from winemaker and Chardonnay specialist Tony Bish, who’s lost 75% of his intended intake to the rain and floods this season. “We’ve written off about 150 tonnes out of a 200-tonne intake,” Tony says on 9 March, about to drive his trailer of freshly picked fruit back to the winery. “It’s been a hard season.”
But despite knowing he won’t meet export orders, which take up half his production, Tony is heartened by the response from his local community, with people of all ages joining the harvest, alongside a team of seasonal workers from Vanuatu.
Tony Bish, Winemaker
The wine community has pitched in too, with Marlborough growers offering a lifeline for Tony’s Fat & Sassy consumer brand. On realising the extent of crop losses, Tony emailed his contacts in the region and revealed he was “desperate for Chardonnay”.
The response was good, both from those willing to part with their fruit, and others offering moral support. “It’s a case of Marlborough helping Hawke’s Bay,” he adds. “Basically the story will be Fat & Sassy goes to Marlborough. Thanks to our colleagues in Marlborough helping us through a cyclone, we’ll be able to keep continuity in the domestic market.”
In the meantime, he’s excited about the quality of fruit still hanging on the vine, to be picked at the end of March for his premium labels. “We are going to pick some really good fruit, so there’s a happy ending in sight. It’s going to deliver something delicious.”
Lucie Jiraska clearly recalls her first taste of wine, unimpressed by her grandpa’s Cabernet Moravia.
Now she’s working with Auckland University’s Biological Sciences department studying the effect of management on soil biodiversity in Hawke’s Bay and Marlborough vineyards.
What drew you to studying soil in New Zealand vineyards?
I was five when my grandpa, a hobby winemaker from the south of the Czech Republic, thought it was about time for me to have my first sip of wine. I vividly remember him being so proud of that batch. The cold of the cellar was seeping through my summer clothes, as he ceremonially withdraw the wine from one of the barrels and I was presented with a tiny glass containing less than a sip of dark ruby liquid. My grandma was strongly arguing against it, but my grandpa was adamant. I took a sip, my face twisted into a forced smile, and I thought, what is this adult madness and why is everyone pretending they like it? I did not want to hurt my grandpa’s feelings, so I pretended I liked the wine as well, but for a long time after, I kept wondering what the wine industry was all about.
It took me another 15 years, and moving to Prague for my bachelor’s and master’s degree in molecular biology and microbiology, to actually start understanding the science behind fermentation, microbes and soils. From there, it was just a small step, supported by a portion of luck, to join the Vineyard Ecosystems (VE) Programme. I was looking for a PhD project right when my current PhD supervisors Professor Matthew Goddard and Dr Sarah Knight were advertising a position. I did not really have to think twice, and I am very happy that I made this decision to join it.
What has your research involved?
My research mostly focuses on the impact of agricultural management on soil microbial communities in vineyards from the Hawke’s Bay and Marlborough regions. I specifically researched how soil microbial communities differ between vineyards using synthetic herbicides and those with alternative undervine management, like cultivation or mowing. I also focused on direct impacts of synthetic and organic fungicides on soil microbes and changes to their functions in response to the application of fungicides.
As a microbial ecologist, I get to go out in the field to collect samples. Samples for the VE Programme were mostly collected by our colleagues at Plant & Food Research in Hawke’s Bay and Marlborough, but for other aligned projects I was collecting samples of soil, bark, fruit and/or leaves. While I enjoy being outdoors and sampling, a large part of my work is in the laboratory doing either DNA or RNA extractions from samples or using molecular techniques to understand what microbial communities live in our samples. Or I’m in front of a computer bioinformatically processing and statistically analysing the data. This is what I think the most exciting part is, as this is the step where the data begins to make sense and we can start answering our research questions
Who has helped you in your work?
Besides my amazing supervisors, Mat Goddard and Sarah Knight, I would like to acknowledge Beatrix Jones, Victoria Raw, Innocenter Amima, Jed Lennox, Paulina Giraldo-Perez and Soon Lee. And obviously all the winegrowers that allowed us to collect soils and access their sites for so many years!
What are some of the findings in your thesis?
The soil communities between vineyards are highly variable, more than between management regimes. While we found a small but significant effect of management regime on soil microbial composition, we are still in the process of understanding if these small differences do affect their function in the vineyard. Each vineyard seems to be a microbiome soil island where the history of the site is reflected in the soil community.
And while some of the synthetic fungicides we tested directly in the lab had no impact on the soil microbial community composition, we were able to find an impact on microbial function in these soils. Especially those that had a history of repeated exposure to pesticides. These findings suggest that soils do in fact have an “ecological memory”, so what you put in your soils matters, as it may influence how your vineyard responds in the future. However, at this stage we still have a very limited understanding on how it mechanistically works, as soils are extremely complex systems to study. Maybe one day we will be able to design management plans suited for each vineyard, not just generalised guidelines to follow.
This was an evening of tasting grape varieties from around the world but produced right here in NZ.
Adding to this international flavour was our presenter Carlos, who was born in Chile and came to NZ in 2010, and now resides in Marlborough with his wife and daughters. Carlos informed us that Forrest is now second-generation owned and operated and that they loved working with many different grape varieties.
As a reminder of the wines we sampled during the evening:
Forrest Botrytised Riesling 2018Forrest has approximately 150 ha of grapes plants in Marlborough, with additional plantings in the Waitaki Valley, with the latter having limestone ground, similar to Burgundy conditions.
Visit Forrest
70% of their Sauvignon Blanc goes overseas each year, with 100 cases to Waitrose per year!
Notably, most of their Forrest Botryised Riesling, with a honey/marmalade taste – is made for and sold to Air NZ. So when COVID19 hit NZ, the unwanted stock was stocked by NZ based stockists – a bonus for the NZ public.
There were 15 orders from Club members for this tasting, evidence of just how much this tasting was enjoyed by our members.
Thank you to Carlos and Forrest Wines for your support of our club.
French wine producer Edmond de Rothschild Heritage Wines has bought Central Otago vineyard Akarua Estate, which it hopes will eventually produce 60,000 bottles a year of premium organic pinot noir.
Bordeaux-based Edmond de Rothschild Heritage Wines received Overseas Investment Office approval to buy the 52-hectare estate, with 34.5ha of vines, in Central Otago’s Bannockburn, along with the Akarua Estate vineyard from New Zealand company the Skeggs Group.
Ariane de Rothschild, president of the Edmond de Rothschild Group, which also owns Marlborough vineyard Rimapere, said the region’s soil was world-famous for its exceptional growing conditions for pinot noir.
She said that the terroir, or environment, at Bannockburn was on par with the Burgundy region in Eastern France.
“The addition of our second New Zealand winery is part of our wider strategy to develop a portfolio of premium international wines from exceptional terroirs.
“Central Otago’s international reputation for pinot noir provides a unique opportunity for us to complete our range and move into the production of organic wines – one of the fastest growing categories,” she said.
Winemaker Ann Escalle, who was technical director at Rimapere before moving to Akarua Estate, said the soil had all the elements they were looking for, and the slope was gentle enough for the vines to be able to develop well.
Akarua Estate vineyard in Central Otago has been sold to Bordeaux-based Edmond de Rothschild Heritage Wines.
The region’s climate was known for its hot and cold extremes, but the site was not too harsh. At the same time, it was dry and windy enough to keep diseases away.
“We think that what we have here at Akarua is really top potential, and we can bring it to the world. We would like to produce some of the best pinot noirs in the world because it’s possible,” she said.
The vineyard, which produced about 80% pinot noir along with small amounts of chardonnay and riesling, was not organic yet, but work was starting on converting it immediately.
When fully converted and organically certified, the vineyard would produce more than 60,000 bottles of organic wines annually for the international and domestic markets.
The soil had all the elements required, and the slope was gentle enough for the vines to be able to develop well, said Ann Escalle.
The wines would continue to be produced under the Akarua brand. The Akarua Estate vineyard was founded in 1996 by former Dunedin mayor Sir Clifford Skeggs.
Skeggs Group managing director David Skeggs said the new owners had significant global influence and networks and would bring new opportunities for the Central Otago wine industry.
The Skeggs Group would continue to produce its Rua brand from its 90 hectares of established vineyards in the Bannockburn and Pisa sub-regions.
The nine vineyards owned by Edmond de Rothschild Heritage in France, Spain, South Africa, Argentina and New Zealand produced 3.5 million bottles of wine a year.
28 Club members chose to attend this diverse and interesting pink evening, but those that did were pleasantly surprised by most of the wines tasted, educated and now appreciative of Rosés.
From when to drink Rosé, regional styles, and the variety of grapes now used for the various wines, from the opening bubbly, everyone connected with and enjoyed the tastings. Opening with a Toi Toi Sparkling Rosé, which comprised of a mixture of Riesling and Merlot, through to the last McArthur Ridge Lilico Pinot Rosé, the diverseness of the 21st-century Rosés was indeed on display. Rosé is a style of wine, not a grape variety.
The wines were selected from wine sites and supermarkets, which were below the $20 mark, so they can be purchased and enjoyed by everyone the next time they’re shopping or browsing the computer. The wines we sampled during the evening were:
Toi Toi Sparkling Rosé NV – Riesling and Merlot blend from Marlborough
2021 Giesen Estate Riesling Blush – from Marlborough and Waipara
2022 ME by Matahiwi Estate – Pinot Noir from Masterton this was thought to be the best value for money in wines
2021 Haha Hawkes Bay Rosé – Merlot and Malbec from Hastings and Bridge Pa this is a Bordeaux blend with added Cab Sauv and Cab Franc
2020 Left Field Moon Shell Moth Rosé – Arneis, Pinotage and Merlot from Hastings
2020 Middle Earth Pinot Meunier – a faux pas for the evening, turned out to be red! A Pinot Meunier – this was enjoyed by everyone nonetheless and will go on to be purchased
2019 Spade Oak Voysey Blonde Rosé – Tempranillo, Albarino, Syrah, Viognier and St Laurent from Gisborne – this was indeed Blonde! And was a special blend as this vineyard has been on-sold since this mixture was bottled
2019 McArthur Ridge Lilico Pinot Rosé – Pinot Noir – from Central Otago
Wednesday 12th October | Door Price: Members $14 / Guests $18
Pretty in pink
Rosé wine is an exciting and diverse category. New Zealand Rosé comes in a rainbow of pink hues, from the palest salmon to deep watermelon. Typically, they’re light-bodied, fruit-focused and just off-dry in style. While it’s often associated with Pinot Noir in NZ, this style of wine is no one-trick pony, and there is so much more to discover.
So, join us on Wednesday the 12th Oct, when our panel will take you on a tasting discovery of just what wonderful wines NZ can produce in this style.
Our presentation includes both still and sparkling Rosés, showing delicious aromas and flavours of ripe strawberries, raspberries and crushed cherries, sweet citrus, watermelon, honeydew melon, spices and fresh herbs. And the grapes used in the wines to be tasted will surprise you. They won’t just be Pinot Noir or Merlot dominant.
Here is some more Rosé information that may help in your appreciation of what the tasting may cover.
The specific colour of a given rosé is based on the amount of time that the skins have spent with the juice—though contrary to popular belief, darker-hued rosés are not always sweeter.
Due to their low tannins, high acid, and fruit-forward nature, Rosé—whether still or sparkling—is one of the most versatile, food-friendly wine styles on the planet.
When to Drink Pink? Rosés are perfect for spring and summer, as they are served chilled and can be a refreshing accompaniment to a variety of warm- weather fare. Rosé wines also top the charts for food-friendly versatility, as there’s a Rosé to suit most food types.
Regional styles of Rosé
Rosé styles, hues and myriad varieties are found throughout all of New Zealand’s wine regions, reflecting the fruit freshness and focus for which our wine is renowned.
Hawke’s Bay
Hawke’s Bay is home to a great many of the Merlot and Syrah-based Rosé, with some wines made from a blend of (often Bordeaux) varieties. The moderately-warm climate lends itself to robust, spicy and savoury wines with good depth of flavour.
Marlborough
Pinot Noir is the most common variety used for Marlborough Rosé, with characteristic aromatic intensity, ripe berry fruit and spice, and vibrant, well-balanced palates. There are also some interesting examples using less-common varieties such as Syrah and Montepulciano. Excellent quality Methode Traditionnelle Rosé is made in Marlborough.
Central Otago
The vast majority of Central Otago Rosé is Pinot Noir-based. Packed with bright strawberry, raspberry, ripe cherries and often a touch of spice and fresh herbs, the palate is lively and crisp palates with clean acidity. There are also several very smart examples of Methode Traditionnelle Rosé.
Plus, a handy guide for deciphering your methodes from your Champagnes.
Photo / Babiche Martens
If the bubbles that have dominated most thoughts of late are the ones we’ve been living in, there’s hopefully something we can toast, even if it’s just the passing of 2021.
There’s good news on the fizz front, as there has never been a more delicious and diverse array of sparkling wines to enjoy in Aotearoa.
Here’s a selection of the best from my blind tasting of bottles from across the world. Their corks are definitely worth popping, to cheer the spirits if our parties must be virtual, or celebrate with on the return to fully social occasions.
STYLE GUIDE: WHAT’S IN A STYLE? Sparkling wines are made in a wide variety of ways that dictate their flavour, quality and price. It can be confusing, so here’s a rough guide to styles and terms you might see on a bottle that suggest the kind of wine you might find within.
Traditional Method Most of the highest quality sparkling wines, including Champagne and cava, are made by the traditional method, also known as methode traditionnelle. It’s an elaborate system that adds to the cost of the wine, but is widely regarded to create the most complex flavours and finest mousse (bubbles).
A second bubble-inducing fermentation is triggered in the bottle, followed by a period when the wine remains in contact with its yeasts. These impart complex bready and nutty flavours to the wine depending on how long it remains on these yeast “lees”.
The yeasts are then removed by a lengthy process of “riddling” that gradually shifts the yeast into the neck of the bottle, which is then frozen. The frozen plugs of yeast are removed, the bottle topped up and then re-stoppered in the wine’s “disgorgement”.
Some examples state a disgorging date, which provides an idea of a wine’s maturity — recently disgorged can mean fresher flavours, and older more toasty notes.
Bottle Fermented (Transfer Method) If it’s traditional method, most wineries trumpet this. So if you see “bottle fermented” on a label, this suggests the wine has likely been made by the slightly simpler transfer method. Sparkling wines made in this manner can still be very good, but are cheaper to produce than the traditional method. This is basically identical to the traditional method up to the point of riddling, when the bottles are instead disgorged into pressurised tanks, where they’re filtered. They’re then re-bottled in a new bottle.
Tank Fermented Less likely to appear on a label, but influencing the final flavour, is the Tank Method. Also known as the charmat or Martinotti methods, or cuve close. The wine’s second fermentation takes place in a pressurised tank rather than a bottle, and the final fizz bottled under pressure. You don’t get the yeasty character of bottle-fermented methods, but this is often preferable for more aromatic grapes and fresher styles, such as the prosecco that’s made this way.
Methode Ancestral (Pet-Nat) Undergoing a revival currently is the methode ancestral, responsible for the petillant maturels (pet-nats) that have burst onto the natural wine scene in particular. Likely the oldest way of making sparkling wine, the wine is bottled while still undergoing its first fermentation. This finishes in-bottle, producing its effervescence.
Some winemakers choose to leave the yeast in the bottle, leading to a cloudy appearance and the possibility of drinking a bottle at different stages on its path to dryness. Others filter or disgorge and rebottle for a clearer and more consistent end product.
Champagne (NV and Vintage) Champagne can only come from the eponymous region in north-eastern France. Its name, synonymous with luxury and celebration, is protected in law and cannot be borrowed by wines from elsewhere. Its wines have to adhere to strict criteria, which includes bottle aging of 15 months for non-vintage wines (NV) and three years for vintage.
Its chilly climate makes it a challenge to ripen grapes, which has led to the practice of blending wines from multiple vintages, with vintage wines being made with only the best grapes in the best years.
The practice of making and labelling sparkling wines as “NV” has been adopted beyond Champagne and tends to suggest the tier below a winery’s more premium “vintage” release.
Styles and Sweetness Various terms originating in Champagne indicate the grapes used, and consequently suggest the style of a sparkling wine. Blanc de Blancs is made from 100 per cent chardonnay, which tend to be lighter and racier. Blanc de Noirs is a white sparkling wine made from just black grapes, which tend to be fuller bodied.
There are also descriptors highlighting levels of sweetness. The most common is Brut for dry to off-dry, with the likes of Demi-Sec, meaning sweet and Doux, lusciously sweet.
A growing movement towards near bone-dry styles means seeing more bottles sporting terms such as Ultra Brut, Extra Brut, Brut Nature and Zero Dosage, which signal the driest of the dry.
Detergent is the enemy of effervescence, so always rinse your sparkling glasses in warm water to get rid of any residue. Photo / Getty Images
WHAT’S IN A GLASS?
Wisdom on what makes the best glass from which to drink sparkling wine has shifted over the years. Certainly, the wide-rimmed shallow coupe popular in the early 20th century has fallen out of favour, for good reason.
These may work to some extent for softer, sweeter styles, but the wine’s large surface area in these means bubbles swiftly dissipate and they go flat quicker. The narrow shape of the iconic flute fares far better for retaining effervescence, but also suppresses aromas.
Current thinking on the foremost stemware for fizz, particularly the more complex traditional method wines, is a tulip-shaped glass with a wider middle and a narrow top. Similar to a white wine glass, it provides a slightly larger wine surface area than the flute and has a shape and greater space above the wine conducive to funnelling aromas up beyond its rim.
It’s also supported by findings of the rigorous research currently being conducted on bubble behaviour, by the likes of Champagne physicist Dr Gerard Liger-Belair at the University of Reims in Champagne.
The Comite Champagne, which represents independent Champagne producers, now officially recommends a tulip-shaped glass in which to enjoy its members’ wines. Something like Riedel’s egg-shaped Veritas Champagne Wine Glass fits the bill ($113 for 2 stems from Kitchenware.nz). However, the flute still works fine for simpler fruit-driven styles, such as prosecco.
You can enjoy fizz from a standard white wine glass. However, it’s still optimal to use a glass that’s been designed for sparkling wine as this will contain a “sparkling point”. Bubbles attract and carry aromatic compounds to the surface of the wine and need somewhere to start.
In sparkling glasses they’re directed from a single point etched on the bottom of their bowl, rather than forming randomly off the likes of fibres left in a glass from tea towels.
Whatever glass you choose, there are further ways to ensure you maximise your bubble count. Detergent is the enemy of effervescence, so always rinse your sparkling glasses in warm water to get rid of any residue. If you dry them manually, make sure it’s with a lint-free cloth to avoid unruly effervescence!
FRANCE’S FINEST
THE BEST SPARKLING WINES OF THE SEASON: FRANCE’S FINEST
1. Taittinger Millesime Brut Champagne 2014, $125 This Grand Cru-dominant blend is made only in the best vintages and aged five years on its lees to gain added complexity. The result is a Champagne with great intensity and finesse, with elegant and crisp notes of red apple and citrus, hints of apricot, mineral and blossom, over a subtle hazelnut base. Stockists: Countdown; Glengarry; Vineonline; Fine Wine Delivery; Vintners.nz
2. Paul Launois Monochrome #1 Grand Cru Extra Brut Champagne NV, $82 This stylish Champagne is an exciting new find: from third-generation growers Julien Launois and his wife Sarah, who started making wines in 2015 from their small family estate in the Grand Cru village of Le Mesnil-sur-Oger. The Monochrome #1 is an impressive ultra-dry 100 per cent chardonnay, with a pure and poised palate of crisp apple and lemon, hints of almond paste, acidity and an intense flinty minerality. Stockists: Barewine.co.nz
3. Andre Clouet Grande Reserve Brut Champagne NV, $68 A 100 per cent pinot noir Champagne that offers great value. Its attractive notes of apple and stonefruit are underpinned by rich toasted brioche and hazelnut notes. All this is supported by a fine and fresh line of lemon and mineral salts and a fine mousse. Stockists: Black Market; New World; Dhall & Nash
4. Marion-Bosser Premier-Cru Brut Rosé Champagne NV, $90 Marion-Bosser’s impressive grower Champagnes are made by the mother and daughter team of Bernadette and Elodie Marion in the Premier Cru village of Hautvillers. Their elegant and fresh rosé Champagne combines delicate raspberry and redcurrant fruits with a suggestion of apple and almond pastry. Stockists: Threefrenchvines.com; Winedirect.co.nz; New World
NZ’S FINEST
BEST LOCAL BUBBLES
5. No 1 Family EstateReserve Marlborough Blanc de Blancs NV, $96 It’s perhaps no surprise that one of the top wines in this year’s sparkling tasting is made by a 12th-generation Champagne winemaker. Daniel Le Brun crafts this exquisite Reserve example in Marlborough, which layers white flowers, white fruits and citrus over subtle nutty, biscuity nuances, wrapped in a creamy mousse. The release is limited to just 1000 individually numbered bottles. Stockists: Glengarry; No1familyestate.co.nz
6. Koyama Waipara Methode Traditionnelle Brut Nature NV, $45 A delicious bone-dry pinot noir-dominant blend made in tiny quantities by Takahiro Koyama, in which rich notes of gingerbread and toasted breadcrust are counterpoised by a powerful line of lemony acidity. Koyama has had a growing focus on sparkling wine with his original label and at Mountford Estate, which he now also runs, and this is a fine addition to Aotearoa’s sparkling scene. Stockists: Great Little Vineyards; Hamilton Beer & Wine Co; Star Superette; By the Bottle; Natural Liquor
7. Mumm Marlborough Brut Prestige NV, $40 A decidedly Champagne-like local traditional method wine, from a collaboration between the Champagne House of Mumm and Pernod Ricard NZ, makers of the likes of Brancott Estate. It expertly juxtaposes richness with freshness in its notes of crisp apple and lemon curd, savoury praline undercurrent, and long nutty finish. Stockists: New World; Countdown; West Liquor; Liquorland; Super Liquor; Glengarry; Moore Wilson’s
NZ’S FINEST
8. Quartz Reef Bendigo Estate Methode Traditionnelle Central Otago Rose NV, $43 Refined strawberry and redcurrant meld with hints of rose-like florals, creamy notes and an appealing savoury dimension. A complex and compelling rose which finishes with a dynamic wave of freshness and lingering minerally note. Stockists: Glengarry; Fine Wine Delivery; Farro Fresh; Quartzreef.co.nz
9. Hunter’s MiruMiru Marlborough NV, $29 Hunter’s has been making its MiruMiru for two decades from the classic trio of Champagne varieties — pinot noir, chardonnay, and pinot meunier — over which time it’s established the wine as consistently offering great quality and value. Its latest release over-delivers once more with a lovely lemony freshness to the fore, joined by white fruits and more complex toasty, yeasty elements. Stockists: Fine Wine Delivery; The Good Wine Co; Wine Direct; First Glass Wine & Spirits; Primo Vino
10. Morton Estate Brut Methode Black Label NV, $20 Ridiculously good value for a traditional method sparkling wine, Morton’s pink-tinged crowd-pleaser ushers in baked apples, juicy lemons and a touch of toastiness. Rumour has it, its price may be rising soon, so stock up for the festive season and beyond. Stockists: New World; Pak’nSave; selected specialist liquor stores
EURO-FIZZ
EURO-FIZZ
11. Borga Prosecco Extra Dry, Italy NV, $25 Light, bright and bone dry, this is a lovely expression of prosecco from a family-run estate in the Treviso region of Veneto. Its crunchy green apples and mouth-watering lime join hints of stonefruit, perfumed with a touch of jasmine. Stockists: Caro’s
12. Vilarnau Barcelona Cava Organico Brut Reserva, Spain NV, $25 There’s plenty of richness to this organic cava, with its notes of spiced honey cake, baked apple, stonefruit, toasted nuts and bread characters, offset by crisp lemon. Full of flavour, gorgeous packaging and great value. Stockists: Caro’s; First Glass Wines & Spirits
13. Ramon Jane Tinc Set Escumos Brut, Spain 2019 $33-35 A biodynamic pet-nat made with wild yeasts and no added sulphur from local grapes in the cava country of Spain’s Penedes. It’s ultra-dry, pure and savoury in style, with brisk citrus and restrained apple and pear, laced with white pepper and herb, an underlying vegemite-savoury richness. Stockists: Star Superette; Cahn’s Wines & Spirits; Fine-O-Wine; By the Bottle; Cult Wine; Planetwine.co.nz
14. Sartori Prosecco Rosé Brut, Italy NV, $25 Following the popularity of prosecco and the fashion for drinks pink, prosecco rosé became an official denomination in Italy last year for bubbly made from the traditional white prosecco grape Glera and a dash of Pinot Nero (pinot noir) for colour. While some “ro-secco” can be on the sweeter side, the Sartori is a more serious dry style that’s fresh, citrusy and moreish with strawberry scented with rose. Stockists: New World; Dhall & Nash
15. Privat Reserva Brut Nature Rosé Cava, Spain 2018, $32 This very appealing bone-dry organic cava is made from a blend of pinot noir and chardonnay. It combines green apple and fresh lime notes, with more complex nuances of honey and toasted breadcrust. From: Hamilton Beer & Wine Co; Regional Wines; Stvincentscave.com
We all know it’s winter here in NZ, but did you know it’s also a very important time in our vineyards? The following article is taken from The Sisters’ latest wine newsletter. It gives you a great insight into what goes on in a Marlborough vineyard over winter to prepare for the next harvest – repeated with permission.
In the Vineyard
Winter a time for rest and repair
Buy your The Sisters wines from Countdown, select New World, Pak n Save, and online via Black Market.
After the frantic period of harvest in late summer and autumn and the excitement of grapes coming in and winemaking getting underway, winter seems a very still, quiet time. While this is true for the most part, important things are happening in the vineyard.
Row upon row of vibrant green, busy vines gradually change during autumn and early winter as the canopies begin to shut down, and the leaves change colour. Once brown, they fall to the ground, and the bare vines head towards dormancy.
And winter means pruning. This involves cutting off the canes (branches) that produced this year’s fruit and laying-down new fruiting canes that will bud come Springtime. There are many ways to prune vines, and methods are chosen based on the grape variety and the amount of fruit desired.
Generally, the more fruit it produces, the harder the vine must work and the more challenging it is to get it all ripe before the end of the growing season. This can lead to quality issues as grapes need to be ripe to produce flavoursome fruit with the right balance of natural sugars and acidity.
Once pruned, the vineyards are quiet, although buffeted with winter weather. It’s a period of rest and repair as their roots grow and strengthen, looking for the all-important nutrients from the soil, building up their resources in preparation for the growing cycle to start again in the Spring.
It is usual for a President’s Report to be EITHER comprehensive and an ordeal OR for it to be cryptically short and to the point. So it seems in this most unusual of years that short is best. As such this should allow the AGM to proceed swiftly so as to enjoy the wines from the club cellar and the supper on offer tonight.
It has been my absolute privilege to have been the club’s President this year. I want to begin by thanking most sincerely all of youas valued club members for your support in a trying year. For your subscriptions, of course, but particularly for your support at the scheduled tastings and sundry other monthly events such as the dinners and annual club BBQ. Our membership has held upwell again this year. This despite all the pressures our communities and families have endured. Last year I reflected at some length in my report on the impact for the club of the pandemic so I will quickly move on from that. Again this has been a challenging year for all of us but through the club activities we have generated good company and a focus for interest in a time of lockdowns. Most particularly theattendance numbers at tastings and dinners have been regularly and phenomenally good which signals there must be something right about the way tastings are delivered, enjoying the company of friend and the functioning of the club. So, to all of you my thanks.
May I briefly review the tastings and activities [11] that we have been able to achieve for these past 12 challenging months. Tastings included Mahi Wines (Marlborough), Western Australia by Keith Tibble (Eurovintage agency), Butterworth (Gladstone Wairarapa), Crater Rim (Waipara), Portugal (Confidant agency), the Gold Medal wines from the NZ International Wine Show (2021), a celebration of Pinot (club members) as well as dinners at La Marche Frances and Juniper as well at the club’s January BBQ
I wish to extend the club’s thanks to the wineries, presenters and agencies that have supported the club during a year that has been challenging for their businesses, where labour restrictions, lockdowns, cancellations and social distancing have impacted us all. At least three wineries were unable to present in 2021 but have indicated they are keen to return for 2022/2023 and we are organising with them
As well as thanks to the meeting presenters and the tasting organisers, it is the committee that also deserves our appreciationfor their work for the club. As a group they have met regularly and communicated frequently with each other in most constructive manner. This has been the prime reason for tastings continuing to happen when withdrawals have occurred or organisation of meetings has hit road blocks or come up against Covid limitations. Without naming committee members, because you know all of those involved – our secretarial servicing, our financial management, our newsletter communications with members, the meeting venue organisation efforts and suppers, cellar management, the facilitation of the tasting programme and deliveries have all kept pace and been successfully undertaken without there seeming to have been any hitches at all – even though there have been a few, and one cancellation. It has been a demanding time organisationally but the efforts of the 8 person committee have shone through and for that I wish to sincerely thank them one and all for their efforts on behalf of the club membership.
I am thrilled to report that the committee collectively has indicated a willingness to continue to serve the club for a further year and I am indeed grateful for that. The committee’s co-operation, sharing of the load and their special skills and interests continue to be the cornerstone of how we have managed to keep this great little club moving forward, fulfilling its wine appreciation objectives whilst providing a source of company, regular meetings and the occasional glasses of vino. Being Wellington’s premier and enduring wine society for over forty years is no mean feat. It is you as members, and the committee’s efforts, that have ensured that this continues to be the Cellar Club reality. We will move next to the election of the club’s officers. My best wishes to all club members as you navigate the societal challenges we are all facing.
Under new ownership, Villa Maria captures a global market
When Matthew Deller decided it was time to bring his family home from Napa Valley in California, there was only one place he wanted to work: Villa Maria.
He made his move in January 2020 after seven years as chief operating officer at Tor Wines – a winery globally renowned for its single-vineyard chardonnay and cabernet sauvignon.
And so, after a roller-coaster journey of sorts, he’s perfectly placed to oversee the first global launch of Villa Maria’s single-vineyard series of wines from tomorrow.
Deller, a master of wine, is Villa Maria’s chief global sales and marketing officer. In his almost two years with the brand, he’s experienced the rapid change brought by Covid-19 as well as seeing Villa Maria pass out of family ownership.
Villa Maria Estate Winery’s Blenheim acreage. Image: Brya Ingram/Stuff/Marlborough Express
Villa Maria’s parent company FFWL, owned by founder Sir George Fistonich, went into receivership late in 2020 and as part of that, Villa Maria was sold to Indevin, New Zealand’s largest wine-making company, in September.
“When we decided we wanted to move back to New Zealand and I was thinking ‘who would I want to work for?’ Deller says. “Villa Maria was the only option. There’s no other winery in New Zealand that makes the calibre of wines that Villa Maria does and that’s not going to change in under the new ownership.
“We’ve all been on a roller-coaster over the past 18 months. But the management at Villa Maria wasn’t exposed too much to that financial side as that was between the family and the banks.
“Indevin is very protective of the brand and what drove its success: it’s all about quality and global critical acclaim. And that’s not my opinion, that comes to us from our wine intelligence research.”
Other significant changes include the way Villa Maria is marketed.
“We’ve renovated every brand,” Deller said. “We’ve brought out Earth Garden range this year which is our first 100 per cent Biogrow-certified brand and fully vegan. And we’ve really ramped our global fine wine programme.”
As part of that global push, this year marks the first time that Villa Maria is doing a worldwide launch of its single vineyard series. That will involve events around the world throughout November. “We’re there in New York, London, Europe and there’ll be dinners, wine-maker tastings with a unified release of these single-vineyard wines.”
Indevin had been on the lookout for a quality New Zealand global brand for some time, says chief executive Duncan McFarlane.
Single vineyard releases are a winery’s way of showing what a particular block of land delivers. The 10 wines Villa Maria are releasing come in tiny volumes – just hundreds of cases for some styles. The grapes are mostly handpicked and many are fermented with wild yeasts.
The idea is to create a series of bespoke wines that Deller says are chosen for their elegance and as “the greatest expression of a particular vineyard”.
The release features vineyards in Auckland (Ihumātao), Gisborne (McDiarmid Hill) Hawke’s Bay (Braided Gravels, Keltern) and Marlborough (Attorney, Taylors Pass, Seaspray, Seddon, Southern Clays).
Deller said it was the right time to make a global push as New Zealand wine – particularly Marlborough sauvignon blanc – was at a “tipping point” in terms of appreciation by critics and collectors.
“Now that New Zealand wines are getting really high scores from international critics, all of a sudden they’re of tremendous interest to the fine wine community, British wine merchants and top New York restaurants. The market has been created by those global critic scores.”
And that maturation of the industry, in terms of quality, has dove-tailed with Covid-19 to create a perfect storm of desire for New Zealand-made wines.
“What happened last year was a huge shift in awareness of, and demand for, New Zealand wine and Brand New Zealand was on fire last year. The insights I have from the US is that a significant part of that is our sustainability story.
“What’s happened this year is another seismic shift – and perhaps one that’s more exciting and of more significance for New Zealanders. We had a small harvest in 2021 but it’s high quality. And with that, we’ve reached a tipping point where New Zealand wines are now recognised as really good. They’ve always been regarded as good but now they moved to really good.”
The Villa Maria Keltern chardonnay.
He noted that one of the world’s leading wine commentators, Jancis Robinson, wrote a glowing report on New Zealand wine, focusing on sauvignon blanc and pinot noir which helped push Marlborough sauvignon blanc from a supermarket staple to standing proudly alongside the best France could offer.
“Marlborough sauvignon blanc had already surpassed France in terms of mass awareness but the more conservative critics have always considered the fine wines of Sancerre as superior to Marlborough sauvignon blanc but that seems to have changed and Marlborough sauvignon blanc is now a fine wine benchmark as well as a reliable benchmark.”
The other thing that’s happened is that a number of factors – including increased costs of packaging and shipping – drove up the price of New Zealand wine and no one blinked. In fact, demand increased.
Deller says not only are people in love with the flavours of New Zealand wine but they are “buying an experience they can’t get from anywhere else” and part of that is a story of sustainability, ethical employers, and a focus on quality.
For Villa Maria, a critical part of that story is staying New Zealand owned. When the receivers came in at FFWL they needed to find over $200m to pay back bank loans. Selling Villa Maria was critical to raising that money and there was a fear an iconic Kiwi brand could end up offshore.
But it stayed in New Zealand thanks to Indevin, a giant wine-maker that most people have never heard of.
Indevin’s model is to grow grapes and make wine. It leaves the sales and marketing to third parties including brewing giant Lion – for whom Indevin produces the Lindauer range, among others – as well as Waitrose and Tesco supermarkets in the UK.
Chief executive Duncan McFarlane says Indevin had been on the lookout for a quality New Zealand global brand for some time.
“Rather than Indevin doing the brand building and holding the sales expertise in-house we’ll partner with someone who has that, and we’ll focus on the parts of the supply chain where we have the expertise and can create value,” he explains.
“But that meant there was a significant part of the New Zealand category that we weren’t participating in – that wasn’t a problem as such as we’d been successful with our model – but we believed that as the New Zealand wine industry matured, with the right brand, the right proposition, there was a lot of additional value to be created.
“Our long-term strategy has been if the right opportunity came along to acquire a genuine global New Zealand brand then that would be a very interesting, exciting and rewarding acquisition.
“Identifying that and actually having the opportunity are two different things.”
McFarlane couldn’t have hoped for a better opportunity than the unexpected sale of Villa Maria after 60 years of family ownership. “We felt that not only was it an amazing opportunity it was an unparalleled opportunity.”
McFarlane says Indevin and Villa Maria will continue to walk their own paths when it comes to sales and marketing, with Indevin remaining a business-to-business model and Villa Maria being a business-to-consumer operation.
But behind the scenes, on the production side, there is huge room for efficiency and growth.
“In many cases, the two businesses literally have vineyards next to each other or in the same street – so it makes sense that the production side of the business will come together over time to work as a team.”
Villa Maria single-vineyard Taylors Pass sauvignon blanc and pinot noir, part of a range of 10 it’s releasing globally.
Adding Villa Maria’s vineyards and expertise to Indevin’s means a diversity of supply that “de-risks” the business on one hand while “putting you in a strong position to maintain and provide consistent quality season-to-season”.
As the ultimate boss, McFarlane has no qualms about Villa Maria hosting a series of global launches during a global pandemic.
“Like any business, we’re conscious of Covid, and management of risk is at the forefront of how we do things, but at the same time there are growth opportunities overseas and where we can do it, and do it safely, it’s business as usual.”
As for his pick of the single-vineyard wines, the chardonnay lover says he’s “quite honestly staggered” by the Keltern Chardonnay from Hawke’s Bay.
Sidebar; The Villa Maria Single Vineyards
Auckland – Ihumātao
Located on Auckland’s Manukau Harbour, Ihumātao sits within a shallow, sheltered volcanic crater with a soil profile that is diverse with a calcified shell and ancient scoria on the edge of the basin, with heavier peat and clay soils toward the centre layered above a volcanic basalt rock base. The immediate proximity to the Manukau Harbour provides a cooling influence, favourable in the retention of fruit acidity during the ripening season.
Gisborne – McDiarmid Hill
Home to expansive fertile plains framed by forested hills on one side and 200km of coastline on the other, the province has an abundance of natural resources. Gisborne’s climate is characterised by warm summers and mild winters. McDiarmid Hill is positioned on an elevated north-facing hillside slope in Patutahi. Taking full advantage of sunlight, drying wind conditions, slightly cooler temperatures and natural water drainage, the additional elevation provides a wonderful advantage for producing this consistently outstanding wine.
Hawkes Bay Braided Gravels | Keltern
The Gimblett Gravels Wine Growing District is characterized by arid, stony gravels laid down over millennia then exposed by a huge flood in 1876 that altered the course of the Ngaruroro River. East of the Maraekakaho region, Keltern is a warm inland site, buffered by the Ngaruroro River. Established on an ancient riverbed that is very dry, but not as hot as the Gimblett Gravels.
Marlborough is surrounded by the inland Kaikoura Ranges to the south and the Richmond Ranges to the north. These rugged mountains are responsible for New Zealand’s driest and sunniest climate with an average of 2435 hours of sunshine, regulated by the cooling ocean influence, elongating the ripening period. Marlborough is composed of three sub-regions, each with its own distinctive characteristics and nuances, which are experienced in every taste.
Sustainably Crafted New Zealand Wine – 100 years in the making
