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Established in 1896, Te Mata Estate remains family-owned, producing internationally recognised wines exclusively from its Hawkes Bay vineyards. The Chambers family, the original owners, sold the property in 1919.
TMV Te Mata Vineyards was established, and the property had two other owners until it was acquired by the Buck and Morris Families in 1974 – the two families behind the modern interpretation of this historic NZ estate.
Te Mata Estate is committed to improving its performance in terms of environmental, social and economic sustainability through the Sustainable Winegrowing New Zealand (SWNZ) programme, established in 1995 as an industry-initiated programme directed by NZ Winegrowers. Te Mata Estate’s vineyards were amongst the first to be accredited in 1995, as was the winery in 2005.
This evening was going to be presented by Te Mata vineyard but is now being covered by Eurovintage with Keith Tibble and Brett Newell hosting the evening for us.
Indictive wines for the evening, still being worked on at the time this newsletter went out:
Starting with Estate Range Sauvignon Blanc
Premium Sauvignon Blanc
Two premium reds – Awatea and Bullnose ranges
Estate Range – Chardonnay, Pinot Noir, Cabernet Sauvignon
The above selection is indicative only as it will depend on the availability of stock at this time.
This will be both a surprising and informative evening with great wines to taste across Te Mata’s different wine ranges and looks to be an experience that you wouldn’t normally get anywhere else.
Under new ownership, Villa Maria captures a global market
When Matthew Deller decided it was time to bring his family home from Napa Valley in California, there was only one place he wanted to work: Villa Maria.
He made his move in January 2020 after seven years as chief operating officer at Tor Wines – a winery globally renowned for its single-vineyard chardonnay and cabernet sauvignon.
And so, after a roller-coaster journey of sorts, he’s perfectly placed to oversee the first global launch of Villa Maria’s single-vineyard series of wines from tomorrow.
Deller, a master of wine, is Villa Maria’s chief global sales and marketing officer. In his almost two years with the brand, he’s experienced the rapid change brought by Covid-19 as well as seeing Villa Maria pass out of family ownership.
Villa Maria Estate Winery’s Blenheim acreage. Image: Brya Ingram/Stuff/Marlborough Express
Villa Maria’s parent company FFWL, owned by founder Sir George Fistonich, went into receivership late in 2020 and as part of that, Villa Maria was sold to Indevin, New Zealand’s largest wine-making company, in September.
“When we decided we wanted to move back to New Zealand and I was thinking ‘who would I want to work for?’ Deller says. “Villa Maria was the only option. There’s no other winery in New Zealand that makes the calibre of wines that Villa Maria does and that’s not going to change in under the new ownership.
“We’ve all been on a roller-coaster over the past 18 months. But the management at Villa Maria wasn’t exposed too much to that financial side as that was between the family and the banks.
“Indevin is very protective of the brand and what drove its success: it’s all about quality and global critical acclaim. And that’s not my opinion, that comes to us from our wine intelligence research.”
Other significant changes include the way Villa Maria is marketed.
“We’ve renovated every brand,” Deller said. “We’ve brought out Earth Garden range this year which is our first 100 per cent Biogrow-certified brand and fully vegan. And we’ve really ramped our global fine wine programme.”
As part of that global push, this year marks the first time that Villa Maria is doing a worldwide launch of its single vineyard series. That will involve events around the world throughout November. “We’re there in New York, London, Europe and there’ll be dinners, wine-maker tastings with a unified release of these single-vineyard wines.”
Indevin had been on the lookout for a quality New Zealand global brand for some time, says chief executive Duncan McFarlane.
Single vineyard releases are a winery’s way of showing what a particular block of land delivers. The 10 wines Villa Maria are releasing come in tiny volumes – just hundreds of cases for some styles. The grapes are mostly handpicked and many are fermented with wild yeasts.
The idea is to create a series of bespoke wines that Deller says are chosen for their elegance and as “the greatest expression of a particular vineyard”.
The release features vineyards in Auckland (Ihumātao), Gisborne (McDiarmid Hill) Hawke’s Bay (Braided Gravels, Keltern) and Marlborough (Attorney, Taylors Pass, Seaspray, Seddon, Southern Clays).
Deller said it was the right time to make a global push as New Zealand wine – particularly Marlborough sauvignon blanc – was at a “tipping point” in terms of appreciation by critics and collectors.
“Now that New Zealand wines are getting really high scores from international critics, all of a sudden they’re of tremendous interest to the fine wine community, British wine merchants and top New York restaurants. The market has been created by those global critic scores.”
And that maturation of the industry, in terms of quality, has dove-tailed with Covid-19 to create a perfect storm of desire for New Zealand-made wines.
“What happened last year was a huge shift in awareness of, and demand for, New Zealand wine and Brand New Zealand was on fire last year. The insights I have from the US is that a significant part of that is our sustainability story.
“What’s happened this year is another seismic shift – and perhaps one that’s more exciting and of more significance for New Zealanders. We had a small harvest in 2021 but it’s high quality. And with that, we’ve reached a tipping point where New Zealand wines are now recognised as really good. They’ve always been regarded as good but now they moved to really good.”
The Villa Maria Keltern chardonnay.
He noted that one of the world’s leading wine commentators, Jancis Robinson, wrote a glowing report on New Zealand wine, focusing on sauvignon blanc and pinot noir which helped push Marlborough sauvignon blanc from a supermarket staple to standing proudly alongside the best France could offer.
“Marlborough sauvignon blanc had already surpassed France in terms of mass awareness but the more conservative critics have always considered the fine wines of Sancerre as superior to Marlborough sauvignon blanc but that seems to have changed and Marlborough sauvignon blanc is now a fine wine benchmark as well as a reliable benchmark.”
The other thing that’s happened is that a number of factors – including increased costs of packaging and shipping – drove up the price of New Zealand wine and no one blinked. In fact, demand increased.
Deller says not only are people in love with the flavours of New Zealand wine but they are “buying an experience they can’t get from anywhere else” and part of that is a story of sustainability, ethical employers, and a focus on quality.
For Villa Maria, a critical part of that story is staying New Zealand owned. When the receivers came in at FFWL they needed to find over $200m to pay back bank loans. Selling Villa Maria was critical to raising that money and there was a fear an iconic Kiwi brand could end up offshore.
But it stayed in New Zealand thanks to Indevin, a giant wine-maker that most people have never heard of.
Indevin’s model is to grow grapes and make wine. It leaves the sales and marketing to third parties including brewing giant Lion – for whom Indevin produces the Lindauer range, among others – as well as Waitrose and Tesco supermarkets in the UK.
Chief executive Duncan McFarlane says Indevin had been on the lookout for a quality New Zealand global brand for some time.
“Rather than Indevin doing the brand building and holding the sales expertise in-house we’ll partner with someone who has that, and we’ll focus on the parts of the supply chain where we have the expertise and can create value,” he explains.
“But that meant there was a significant part of the New Zealand category that we weren’t participating in – that wasn’t a problem as such as we’d been successful with our model – but we believed that as the New Zealand wine industry matured, with the right brand, the right proposition, there was a lot of additional value to be created.
“Our long-term strategy has been if the right opportunity came along to acquire a genuine global New Zealand brand then that would be a very interesting, exciting and rewarding acquisition.
“Identifying that and actually having the opportunity are two different things.”
McFarlane couldn’t have hoped for a better opportunity than the unexpected sale of Villa Maria after 60 years of family ownership. “We felt that not only was it an amazing opportunity it was an unparalleled opportunity.”
McFarlane says Indevin and Villa Maria will continue to walk their own paths when it comes to sales and marketing, with Indevin remaining a business-to-business model and Villa Maria being a business-to-consumer operation.
But behind the scenes, on the production side, there is huge room for efficiency and growth.
“In many cases, the two businesses literally have vineyards next to each other or in the same street – so it makes sense that the production side of the business will come together over time to work as a team.”
Villa Maria single-vineyard Taylors Pass sauvignon blanc and pinot noir, part of a range of 10 it’s releasing globally.
Adding Villa Maria’s vineyards and expertise to Indevin’s means a diversity of supply that “de-risks” the business on one hand while “putting you in a strong position to maintain and provide consistent quality season-to-season”.
As the ultimate boss, McFarlane has no qualms about Villa Maria hosting a series of global launches during a global pandemic.
“Like any business, we’re conscious of Covid, and management of risk is at the forefront of how we do things, but at the same time there are growth opportunities overseas and where we can do it, and do it safely, it’s business as usual.”
As for his pick of the single-vineyard wines, the chardonnay lover says he’s “quite honestly staggered” by the Keltern Chardonnay from Hawke’s Bay.
Sidebar; The Villa Maria Single Vineyards
Auckland – Ihumātao
Located on Auckland’s Manukau Harbour, Ihumātao sits within a shallow, sheltered volcanic crater with a soil profile that is diverse with a calcified shell and ancient scoria on the edge of the basin, with heavier peat and clay soils toward the centre layered above a volcanic basalt rock base. The immediate proximity to the Manukau Harbour provides a cooling influence, favourable in the retention of fruit acidity during the ripening season.
Gisborne – McDiarmid Hill
Home to expansive fertile plains framed by forested hills on one side and 200km of coastline on the other, the province has an abundance of natural resources. Gisborne’s climate is characterised by warm summers and mild winters. McDiarmid Hill is positioned on an elevated north-facing hillside slope in Patutahi. Taking full advantage of sunlight, drying wind conditions, slightly cooler temperatures and natural water drainage, the additional elevation provides a wonderful advantage for producing this consistently outstanding wine.
Hawkes Bay Braided Gravels | Keltern
The Gimblett Gravels Wine Growing District is characterized by arid, stony gravels laid down over millennia then exposed by a huge flood in 1876 that altered the course of the Ngaruroro River. East of the Maraekakaho region, Keltern is a warm inland site, buffered by the Ngaruroro River. Established on an ancient riverbed that is very dry, but not as hot as the Gimblett Gravels.
Marlborough is surrounded by the inland Kaikoura Ranges to the south and the Richmond Ranges to the north. These rugged mountains are responsible for New Zealand’s driest and sunniest climate with an average of 2435 hours of sunshine, regulated by the cooling ocean influence, elongating the ripening period. Marlborough is composed of three sub-regions, each with its own distinctive characteristics and nuances, which are experienced in every taste.
Kiwis motivated to make delicious and interesting wines under their own labels are changing the way we think about négociant winemaking.
The business of winemaking can be, well, a little dry. Especially if what you are looking for is just something good to drink. But the truth is, who owns and does what can make a qualitative difference to what ends up in your glass. My first job in wine was in a shop that proudly only sold “estate bottled” wine, which meant that all of the wines were made by the same people who grew the grapes. The alternative is probably best described by the French term négociant winemaking, where wine is made with grapes grown by someone else.
In the old world (Europe), a lot is made of the difference between these two models, and despite winemaking being the endpoint of both, they are – for legal and taxation purposes – recognised as different types of businesses.
The cost of land and plant can act as a prohibitive barrier to entry for young adventurous winemakers.
In terms of quality, the general consensus is that wines made by the people who grow the grapes on their own land are better. It makes sense; the farmer who is also the winemaker is invested in the final product from start to end, they understand best how the quality of the fruit they grow determines the quality of the wine they make.
It is also a fair assumption that the grape grower and the négociant winemaker might have conflicting financial motivations that don’t add up to better wine. Beyond this simple idea of quality control, there is also a sense in which an “estate bottled” wine is a unique expression of the specific place and people that it came from, in a way that wine made from purchased grapes won’t be.
In Aotearoa, there is less focus on the difference between these two models of how wine gets made. That is probably to do with small artisan farmer-producers, including winemakers, cheesemakers, and other producers, not historically had the same status here as in Europe.
It is also the case that our winemaking history is simply shorter, and so it makes sense that we’ve looked for trusted brands and flavour profiles, rather than focused on place and tradition as markers of quality, as those places and their traditions are still being established.
What’s more, the accessibility of vineyards and winemaking facilities is not the same here as in the Old World. Where in parts of Europe, forgotten or neglected wine regions have provided an opportunity for young adventurous winemakers to establish themselves at a relatively low cost, here the cost of land and plant can act as a prohibitive barrier to entry.
Kiwis motivated to make delicious and interesting wines under their own labels have however found another way and in doing so, are changing the way we think about négociant winemaking.
Corofin
corofin.nz
Mike and Anna Paterson of Corofin in Marlborough, like the other producers featured here, have neither a winery nor vineyards. Perhaps counterintuitively, it is precisely this lack of a stake in a vineyard that is fundamental to them making wines that are uniquely connected to the sites they come from.
Corofin works mainly with Pinot Noir, with a little chardonnay, and each of their wines come from single sites, small corners of vineyards, all located in the foothills of the southern valleys of Marlborough. Their approach to winemaking is to dial back fruit character and varietal expression, believing that more reserved, savoury wines show better the differences made by the specific geography and geology of the vineyard sites that they want to promote.
This model for making site-specific wines is reflective of the best parts of the négociant model in Burgundy, where law and tradition codify the unique nature of specific parcels of land, and farmers and négociant-winemakers are left to focus on their part in allowing those places to best reflect themselves.
The Patersons go a step further by promoting not just the physical growing conditions of their chosen vineyards, but also the family winegrowers who farm those sites. Not only are they in this sense advocates for the most interesting places to grow grapes in their region, they also shine a light on growers who are committed to best quality farming practices.
The best Corofin recommendation I can give you is to take the opportunity to taste each of the site-specific Pinots of a given vintage. The differences between each of the wines tell the story of those unique sites. A fascinating and delicious exercise.
This particular one from the meticulously farmed Wrekin vineyard is bold, savoury and concentrated, reflective of the relatively low yields taken from the site.
A Thousand Gods
athousandgodswines
Lauren and Simon Sharpe’s story is increasingly familiar. New Zealanders who spent a significant part of their lives and careers learning their craft overseas, in their case France, returning with their young family to put those skills to use in their homeland.
Of course, a return home can be challenging for a number of reasons, not least of which is the cost of starting afresh and wanting to establish your own business.
A Thousand Gods, Blanc, 2020 (Athousandgods.com) $36
The opportunity to purchase fruit from Churton vineyard in Marlborough, one of the best growers and vineyard sites in the country, and to lease space in a shared winemaking facility, meant that the Sharpes were able to establish their label A Thousand Gods relatively quickly after their return, and without the prohibitive capital outlay of purchasing a vineyard, or the lead-time of planting one according to their no doubt exacting standards.
Which is all the better for us, as already their wines are some of the most thoughtful, interesting and delicious in the market.
Being able to get their label underway has also allowed them the time and resources for what is next, which is establishing their own small winemaking facility, opening up further opportunities to experiment and show off their well-honed craft.
Sauvignon blanc, but not as we know it. A precise balance of texture, perfumed aromatics, and just right acidity that adds up to a glass I just can’t put down.
Bryterlater
Some of the freshest and most interesting new New Zealand wines are being made under labels that are a side-hustle for their talented producers.
James + Olivia vintage ’21.
Ambitious young winemakers, such as Bryterlater’s James Graves Opie, are holding down demanding viticultural and winemaking jobs and making their own wine on the side. Connections made in the industry through their ‘day jobs’ provide access to both information about where to source the best fruit, as well as access to expensive equipment and unused space, not to mention a network of seasoned professionals willing to lend advice and the odd hand where needed.
Bryterlater, Swell, Sauvignon Blanc Pet Nat, 2021 – $39
Opie, situated in North Canterbury, sources premium organic fruit from local growers, and with it is crafting some impressive wines. His work with Sauvignon Blanc, especially in his sparkling wines, show new and delicious sides to a varietal many of us may have tired of.
I believe it’s partly the freedom of financial pressure associated with buying land equipment that gives Opie’s approach an air of experimentation, trial and error, and ambition. Like an increasing number of similarly minded winemakers, he’s not letting the absence of his own vineyard and winery stop him from producing his own wines.
The result is more exciting wines to drink, which is always a good thing.
Yeasty creamy texture and fine bubbles in this delicate sparkler are complemented by gentle pear flavours, all of which offset the shouty fruit-forward character normally associated with sauvignon blanc. Really impressive, and super refreshing.
We had a well-attended evening for the wine and food match, with 41 people attending.
It was notable that the vineyard used compostable plates and utensils for the tasting, so our green miles are good! And this goes in with the vineyard’s practices of being vegan friendly and on their way to being organic certified. Great for the planet.
The wines we tried were:
2020 Waipara Sauvignon Blanc
2018 Waipara Sauvignon Blanc partnered with toast and Bruschetta
2020 Waipara Pinot Gris partnered with Indian dahl
2020 Waipara Viognier
2016 Waipara Riesling partnered with Beef Thai salad
2020 Canterbury Pinot Noir partnered with Pulled Pork slider
2019 Waipara Pinot Noir partnered with spicy lamb koftas with couscous
2017 Waipara Pinot Noir
2016 Dr Khols Waipara Riesling partnered with Banoffee pie
While it would have made the evening more interesting to have a bit more banter about the wine from the presenter, this was a very enjoyable evening and the members were fed well.
A special note of thanks to Nicola Fraher and friends for the food, as well as to our pourers Carolyn & Terry and our food servers Fiona and Evelyn. It really was a great effort by everyone involved.
And it was pleasing to see all that mahi result in significant wine orders on the night, coupled with requests for personally signed cookbooks.
Drink up NZ’s rich history with a trip to one of our venerable vineyards, writes Jo Burzynska.
Sauvignon Blanc has the wow factor in Marlborough. Photo / MarlboroughNZ
On September 25, 1819, the Anglican missionary Reverend Samuel Marsden recorded planting the first grapevines in New Zealand in the grounds of the Stone Store, Kerikeri in the Bay of Islands. Sadly these never produced wine, allegedly being gobbled by local goats. Nevertheless, the promise that Marsden perceived for wine in Aotearoa has now been amply proven, and can be experienced alongside its history at vinous milestones that span the length of the country.
Bay of Islands – Vine Zero
Marsden Estate in Wiroa Road, Kerikeri. Photo / Supplied
Greater wine-growing success was achieved with the arrival of British wine enthusiast, James Busby to the Bay of Islands. He made New Zealand’s earliest recorded wine from vines planted in his grounds at Waitangi in 1833, described by French explorer Dumont d’Urville as “delicious”. While the wine industry followed more suitable climes and moved south, good wines still hail from this historic region. Head to Marsden Estate in Kerikeri, established 176 years after its namesake planted his vines. Select six wines to try at its cellar door, or grab a glass to savour in its subtropical – and goat-free – vineyard gardens or at its restaurant.
Gisborne – Organic Trailblazer
Millton, New Zealand’s first biodynamic vineyard. Photo / Supplied
Long before the New Zealand wine industry promoted its wines as the riches of a clean green land, James and Annie Millton were walking the talk. The couple established the country’s first organic and biodynamic wine estate in 1984 with the planting of their first vineyard near Manutuke where earlier settlers had planted grapevines in 1871. They now combine classic wines like their chardonnay with edgier examples in the skin-fermented whites of the Libiamo range influenced by the younger generation of Milltons. Sample these at their cellar door, set in beautifully landscaped grounds complete with olive grove.
Hawke’s Bay – Oldest Winery
Mission Estate Winery in Hawke’s Bay. Photo / Mission Estate
Christian orders helped spread the vine as well as their religion around the world, and it was Marist missionaries that transplanted vines from Bay of Islands to Hawke’s Bay, and in 1851 built the country’s oldest winery, Mission Estate. Its cellar door, housed in an imposing former seminary building, offers seated tastings that include insights into its history. Visitors can then wander through its underground cellar and extensive gardens that look out to sea, with an option to dine in its recently refurbished restaurant.
Wairarapa – Pinot’s First Place
Guests enjoying the sun at Ata Rangi vinyards, Martinborough. Photo / Pete Monk
New Zealand’s potential for Pinot Noir can be traced back to Wairarapa, where in the early 1880s Frenchwoman Marie Zelie Beetham and her husband William, planted the country’s first pinot vineyard near Masterton. Temperance put paid to that endeavour, but pinot noir grows once again at one of their vineyard sites, now Lansdowne Estate. Martinborough pioneers, such as Ata Rangi’s Clive Paton, then founded the modern pinot industry in 1980s. Ata Rangi continues to produce some of the country’s finest examples, which can be explored, along with its history, through intimate tastings held in their charming old winery cellar door.
Nelson – South Island Pioneers
The Neudorf Winery, Nelson. Photo / Supplied
In the early days of New Zealand wine, most vineyards were planted in the North Island as it was considered grapes couldn’t ripen further south. However, in the 1970s some brave souls started to plant vines on the mainland, including Tim and Judy Finn who founded Neudorf in Nelson when nobody knew what varieties might thrive there. Now they make some of the country’s top chardonnay and pinot noir.
These can be enjoyed at their cute cellar door overlooking their first Home Block vineyard, where picnic fare can also be selected from the “baby deli”.
Marlborough – Sauvignon Country Roots
Sauvignon Blanc has the wow factor in Marlborough. Photo / MarlboroughNZ
Our flagship Marlborough sauvignon blanc is a fairly new phenomenon. Planted there in 1973, on what is now Brancott Estate Vineyard, it went on to wow the world when Hunter’s Sauvignon Blanc won the UK’s prestigious Sunday Times Vintage Festival in 1986. Hunter’s still excels at sauvignon, as well as sparkling wines, which are shared in its farmhouse tasting room set in tranquil native gardens. The next generation continues to innovate, with the experimental Offshoot range that includes a naturally sparkling sauvignon “pet-nat”. Marlborough’s earliest history can be encountered at Auntsfield Estate, the site of the region’s first commercial vineyard and winery founded by David Herd in the 1870s. Take in the historic sites, such as the restored 1873 rammed earth cellar, on a vineyard tour and taste the impressive wines made by the Cowley family who re-established vines on the property.
Canterbury – Humble Beginnings
Take a trip around New Zealand’s oldest vineyards and wineries. Photo / Graeme Murray
An important chapter of Canterbury’s contemporary wine history started three decades ago in a Christchurch garage. This belonged to neurologist Ivan Donaldson, whose winemaking hobby resulted in Pegasus Bay, which went on to become a flagship winery of the region. Knowledgeable staff at its Waipara cellar door can talk you through its exciting range of wines. These can also be partaken of in the winery’s fabulous gardens or inside by the fire as part of a picnic of local fare from the mini deli it launches in December.
Central Otago – Natural Succession
Looking down over its sloping vineyards to Lake Wanaka, the views from Rippon vineyard are iconic. Photo / David Wall
It’s rare for a family to spend over a century cultivating their land, never mind close to 40 years in the wine-growing industry in New Zealand – and even rarer in Central Otago, where the wine industry only took off in recent decades. However, Rippon has long and strong ties to their special land, now managed biodynamically by second-generation winegrower Nick Mills. The views from Rippon Hall, where its cellar door is situated, are iconic, looking down over its sloping vineyards to Lake Wānaka and the mountains. Rippon’s site-expressive wines are equally spectacular.
The presenter is Lyn Timms of Lyns Consulting, assisted by Nicola Fraher, daughter of The Crater Rim owner. Nicola is the person preparing the food and wine matches for this evenings wine and food match – the food is appetiser-sized tasty morsels to pair with the wines.
The Crater Rim is a family-owned boutique winery situated in the rolling hills of Waipara, in the South Island. They grow, make and market limited quantities of terroir-specific wines produced from their own two vineyards and contracted sites in the Canterbury sub-regions of Waipara, Omihi and Banks Peninsula and Central Otago.
These sites have been carefully selected for their particular mix of varietal, topography, soil and microclimate – creating high quality, site-specific wines of individual character and drinkability. The Crater Rim manage their vineyards and work closely with each grower to ensure that vines are cropped low and managed sustainably, guaranteeing the best quality fruit possible from each vineyard site. The result is exceptional wines from exceptional regions.
Crater Rim recommended that their wines are enjoyed with a meal that best brings out their flavours and have produced a book so that those who drink their wines may have a range of options to do this.
With the growth of The Crater Rim’s success, it was only natural that Nicola Fraher, one of the daughters of The Crater Rim’s owner, saw an opportunity to combine her passion for food and wine by producing a book that not only told that story but brought the wines together with nutritious recipes that can be easily made and enjoyed. Nicola is a trained nutritionist with her own business; she also works in a marketing role for the family enterprise.
The food and wine matches for the evening:
Start with a tasting of From The Ashes Sauvignon Blanc
Tasting of Waipara Sauvignon Blanc matched with Tomato and Garlic Bruschetta
Tasting of Waipara Pinot Gris matched with Spicey Vegetable and Lentil Dahl
Tasting of Waipara Riesling matched with Thai Beef Salad
Tasting of From The Ashes Pinot Noir matched with Pulled Pork Sliders
Tasting of Waipara Pinot Noir matched with Spiced Beef Kofta on Tabbouleh
Tasting of Dr Kohls Late Harvest Riesling matched with Key Lime Pies
Renowned sailors, the Butterworth Family (Brad & Warren), is the new custodian of Julicher vineyard, planted in the iconic soils of Te Muna. The J-Knot on every bottle, the strongest knot you can tie, is a tribute to their vineyard’s founder, Wim Julicher.
Wim Julicher originally planted the Te Muna vineyard as an Olive Grove, but the site’s unique aspect made it far too cold for the olive trees. Luckily, it creates the perfect amount of pressure for the divine struggle required to produce world-class Chardonnay and Pinot Noir.
The Butterworth Family has a viticultural heritage dating back to the founding days of the New Zealand wine industry – the original 1890’s vineyard property is still in the family today.
The wines for our evening are from their Te Muna (Butterworth formerly Julicher vineyard and Layline ranges:
Nelson’s Tohu Wines are the toast of the New Zealand wine industry after taking out a coveted ‘Best in Show’ prize at the 2021 Decanter World Wine Awards.
Over the course of two weeks of rigorous wine-testing in London in June, Tohu’s Whenua Matua Chardonnay stood out from amongst the 18,000 wines judged, to win one of the 50 Best in Show accolades.
As the only New Zealand winery to receive a Best in Show award, it was a major achievement for Tohu – the world’s first Māori-owned winery.
French wines dominated the Best in Show category with 15 awards, along with nine from Spain and seven from Italy.
Decanter organisers said while New Zealand was more well-known for its Sauvignon Blanc, New Zealand Chardonnay had been quietly building its success in recent years. At the 2021 awards, Chardonnays from less-expected places like Canada and Germany also received Best in Show awards.
Tohu Wines’ 2018 Whenua Matua Chardonnay received one of the 50 Best in Show accolades at the 2021 Decanter World Wine Awards.
The Whenua Matua Chardonnay 2018 is a single-vineyard wine grown in the rich clay soils of the Upper Moutere region. The only other time a Nelson winery has won best in show for chardonnay was in 1992 when Neudorf Winery won for its 1991 Chardonnay, also grown in similar Moutere-clay soil.
Tohu winemaker Bruce Taylor said the Chardonnay was all about showcasing a single vineyard.
“Whenua Matua translates as ‘significant lands’ and the changing angles and orientations of the vineyard blocks lend themselves to the complexities of winemaking.
“The wine is selected from the very best barrels of our hand-picked, whole-bunch pressed 15-year-old Chardonnay vines.
“These single-vineyard wines hold great structure, exceptional varietal characteristics, texture and complexity.”
Owned by the Kono food and beverage company, Tohu Wines was established in 1998 and around 200,000 cases of wine are produced at its winery in the Awatere Valley.
Kono chief executive Rachel Taulelei says the company is immensely proud of winning the Decanter Best in Show award.
Tohu Wines also received a Gold Medal for its 2020 Sauvignon Blanc at the Decanter Awards.
“The chardonnay is a special release for us and follows on from our 23-year celebration last year. Each wine in the Whenua series is an expression of the uniqueness of our tūranagawaewae, our standing place, and our connection to the land.
“To be acknowledged and singled out from thousands of wines in such a prestigious wine competition is confirmation that care for the land and its bounty is tōtika, a beautiful balance.”
The main types of wine include red, white, rosé, sparkling, and fortified and dessert wines.
Exploring new wines can help expand your palette and knowledge of drinks to pair with different dishes.
Grapes from all over the world give wines a range of flavours from fruity to oaky to dry.
Wine types vary and each style has a distinct taste that suits different people’s preferences. d3sign/Getty Images
Humans have produced and enjoyed wine for over 8000 years, so it stands to reason that this grape-based beverage would be easy and stress-free to enjoy, right?
Unfortunately, that’s not always the case. Wine education covers a great deal of information, from grape types to geographic regions to flavour profiles. While some drinkers love to geek out to the nuances and details of this subject, others can feel a bit overwhelmed when they walk into a wine shop.
While there’s no limit to the amount of information that you can learn, a few basic guidelines will help direct your shopping experience and allow you to get your hands on a bottle that suits your tastes and preferences.
As vast as the world of wine is, most wines can be classified into five main categories: red, white, rosé, sparkling, and fortified and dessert wines. Below, you’ll find a rundown of these categories, with a breakdown of 28 popular variety types.
To offer some expert insight, we’ve enlisted sommelier and wine educator Caroline Conner who teaches online courses to wine lovers seeking to enhance their knowledge and broaden their wine-related horizons.
Why is it important to know about different types of wine?
“The best way to learn about wine is to approach it like learning a language,” says Conner. “You can DIY it, but without lots of real-life practice, it’s hard to get anywhere.” Knowing what you’re tasting and why can help you along your wine journey in a number of ways:
Developing your palate: You may have heard the term “palate” tossed around by wine drinkers in the past, but it really just refers to a sense of taste, which can be developed by simply tasting. The more flavours you experience, the more sophisticated your palate will become because you’ll understand how taste elements differ from each other and how they work together to create unforgettable flavours.
Discovering food and wine pairings: Wine and food are a natural match for each other, and when you figure out which wines taste best with which dishes (according to your own palate), then you can take your meals to the next level.
Gaining a global perspective on wine: As corny as it sounds, you really can “travel the world” by tasting wines from different countries, continents, and regions. Learning about the climate and soil conditions of a particular country can help you understand how the wines from that nation develop their flavours. Paying attention to common wine and food pairings from that country will clue you in on how best to enjoy the bottles you purchase.
How to talk about wine
Because flavours are so subjective, it’s easy to dismiss wine-tasting terms as pretentious and less-than-useful. However, understanding a few basic phrases can give you all the vocabulary you need to describe the wines you enjoy (and the ones that you don’t). To get you started, here are a few commonly-used wine words:
Dry: “Dry” essentially translates to “not sweet”. Dry wines don’t contain residual sugar from the fermentation process (or, if they do, it’s in a very low quantity).
Off-dry: An off-dry wine features a small amount of residual sugar, which gives it a gentle sweetness. The French term for off-dry, “demi-sec,” is also frequently used in wine tastings and on bottle labels.
Sweet: A sweet wine — also known as a dessert wine — contains significant amounts of residual sugar and has a pronounced sweetness in its flavour.
Oaky: Many red wines and certain white wines undergo a process of ageing in oak barrels, and said barrels impart a woodsy, toasty flavour to the wine. The more time the wine spends in the oak barrels, the stronger the “oaky” flavour will become.
Full-bodied: This is a term generally used to describe red wines, and it refers to both the flavour of the wine and to its texture. A full-bodied wine boasts rich, complex flavours, a robust texture that coats your mouth and tongue, and (in most cases) a higher alcohol content than a light-bodied or medium-bodied wine.
Tannins/Tannic: Tannins are natural compounds found in wine grapes (particularly in the skins of said grapes). These compounds affect the texture of the wine in the mouth; the drying sensation that you may experience when drinking a glass of red wine comes from tannins. Tannins exist in both white and red wines, but because red wines are produced and aged with the grape skins still in contact, the tannic structure of red wines tends to be more prominent.
Grape: The vast majority of wines produced worldwide use grapes as their core ingredient. Wine grapes differ from “table grapes” designed for eating; they’re typically smaller, juicier, and more acidic. Most wine grapes are of the Vitis vinifera species, a style of grape specifically cultivated for wine production.
Style: Some wines are named after the style of grape used to make them; “Chardonnay”, “Cabernet Sauvignon”, and “Pinot Noir” are all examples of grapes that often lend their names to their wines. However, some wines take their names from the regions where they’re produced. French wines are especially notable for this pattern: “Champagne”, “Bordeaux”, and “Burgundy” all fit into the “wines named after regions” theme.
Now that you know how to talk about it, let’s get into the wines themselves. Below are many of the most popular wine styles you’ll find in stores and at restaurants, along with a few underrated gems.
Red Wines
Merlot
Cabernet Sauvignon is a very popular red wine, while a merlot offers a softer taste. Peter Dazeley/Getty Images
Merlot is a red grape that’s grown throughout Europe, South America, Africa, Australia, and the United States. According to Conner, “some of the greatest wines in the world” are Merlots. “It’s plummy and juicy, and a bit softer than Cabernet [Sauvignon], which it is often blended with,” she says. It tastes delicious alongside charcuterie boards, roasted vegetables, and even cheeseburgers.
Cabernet Sauvignon
Like Merlot, Cabernet Sauvignon can grow in a wide variety of regions and is, therefore, an easy bottle to scoop up at any wine shop. As for flavour, Cabernet Sauvignon is full-bodied and dry. “Cabernet Sauvignon is ‘bigger’ than Merlot, and it has lots of tannins, which are those chewy, drying particles in reds,” says Conner. “It’s wildly popular and you can find stunning examples all over the world.”
Pinot Noir
“Pinot Noir is widely loved because it’s one of the rare lighter reds, but has tons of flavour and complexity,” says Conner. “It’s most famously from Burgundy, but there’s great Pinot all over the place, like in Oregon, New Zealand, and even Germany.” But she does warn that these wines can be fairly pricey: “Pinot is picky and fickle, it’s prone to disease and only thrives in certain climates. You have to be a good winemaker to make the best of it, in any conditions! That’s why it’s so prized, because when it’s good, it’s good, and the winemaker took these grapes from the right place, treated them right, and made them sing.”
Syrah/Shiraz
Wines made with this red grape can claim two names, depending on where the grapes are grown and where the wines are produced. In the Rhȏne Valley region of France, these wines are called Syrah, but in Australia, they’re known as Shiraz. In both cases, you’ll find a rich, deeply-hued red wine with strong dark-berry notes and high tannins.
Zinfandel
Like Syrah/Shiraz, the Zinfandel grape produces “big” red wines with lots of stage presence. Notes of dark fruit, tobacco, and leather are common when tasting Zinfandels. It’s a popular grape in California vineyards (and most Zinfandel is indeed grown in the Golden State), but you can also find it in Italy, South Africa, and New Zealand.
Gamay
The Gamay grape is perhaps best known as the primary grape used to make Beaujolais. Made in France, Beaujolais wines are beloved for their light texture, high acidity, low tannins, and bright fruit flavours. Every November, the first release of Beaujolais bottles (known as “Beaujolais Nouveau”) makes a huge splash in the wine market both in the U.S. and abroad.
Sangiovese
If you’ve ever enjoyed a glass of Chianti at an Italian restaurant, then you’ve experienced the Sangiovese grape. This purple-red grape produces many styles of wine made throughout Italy, all notable for their medium body, high tannins, red fruit flavours, and hints of spice. If you need a wine to pour at a red-sauce dinner, then Sangiovese will do you right.
White Wines
Chardonnay
Some well-known white wines include Riesling, Sauvignon Blanc, and Albariño. Mykhailo Lukashuk/Getty Images
“Chardonnay is a true winemaker’s grape; it can really do it all,” says Conner. “A lot of people think they don’t like it because all they’ve tried is their mom’s oak-bomb, buttered-popcorn ’90s Chardonnay. This style still exists, but it’s not very trendy anymore, so it’s easy to find Chards with less oak, more fruit, and more balance. Try Chablis from France if you want to taste a spectacular unoaked Chardonnay.”
Sauvignon Blanc
This white grape famously makes lightweight wines with clean acidity and pronounced fruitiness. “Sauvignon Blanc is all about that fruit,” says Conner. “It has two main styles: the super-intense version with passion fruit aromas coming out of New Zealand, and the more restrained, grassy French style from Sancerre. There are great Sauvignon Blancs from Chile and the USA too.”
Riesling
White grapes are typically easier to grow in cooler climates than red grapes, and Riesling, which originally hails from Germany, serves as a prime example. Riesling wine is highly versatile; it can be sweet, dry, still, sparkling, and anything in between. Its fruity, floral flavours tend to pair well with white meat, fish, and anything spicy.
Pinot Grigio/Pinot Gris
Known as Pinot Grigio in Italy and Pinot Gris in France, this white grape makes a highly approachable and popular wine with citrus notes, zingy acidity, and a pleasant undercurrent of minerality. Alongside a platter of fresh seafood or a cheese plate, Pinot Grigio/Pinot Gris truly shines.
Gewürztraminer
The Gewürztraminer grape is native to Germany, and wines made with it tend to feature fruit flavours like apricot and pear, along with herbaceous notes. In the US, Gewürztraminer proves especially popular at Thanksgiving, thanks to the fact that the wine’s gentle fruit and herbal aromas pair perfectly with turkey, stuffing, and all of the fixings.
Chenin Blanc
Commonly grown in the Loire Valley of France and in South Africa, the Chenin Blanc grape translates to a white wine that’s light-bodied, appealingly tart, and easy to pair with a variety of dishes. Try it with soft cow’s milk cheeses like brie or with grilled or roasted veggies.
Albariño
If you’re a fan of Sauvignon Blanc but want a white wine with even more fruit presence, then Albariño, a wine style native to Spain, could be perfect for you. Albariño is a medium-bodied white, which means it works very well as a food wine. Pair it with shellfish, white meat, or an entrée salad.
Rosé
Rosé wine is made by removing skins from red grapes. Dulin/Getty Images
Contrary to popular belief, most rosé wines aren’t made by combining white grape juice with red grape juice. Instead, they’re made by removing the skins from red grapes after a brief period of time, resulting in a wine that’s light, refreshing, and a pretty shade of pink.
Provençal Rosé
Some rosés are made with only one type of red grape, but many — like the mega-popular, super-refreshing pale-pink rosés that come from Provençe, France — come from a blend of grapes. Conner urges us to embrace blended wines like Provençal rosés: “I think that blends are underrated,” she says. “Many of the famous European wines are blends, and all the better for it! Blending is part of the art of winemaking, and especially with climate change disrupting vineyards, it will continue to be important in order to achieve balanced wines.”
Zinfandel Rosé
Zinfandel rosés got a bad rap for many years due to the perception of “White Zinfandel” as overly sweet and not especially nuanced. However, you can now find plenty of quality Zinfandel rosés on the market, and many feature a delicate sweetness that makes them a great partner for BBQ dishes or grilled salmon.
Grenache Rosé
Grenache is one of the grapes most commonly used in the Provençal rosé blend, but you can also find rosés made solely from this red grape. Grenache rosés burst with summery fruit flavours like strawberry and watermelon, and they’re delicious with Caprese salads, grilled eggplant, and Mediterranean fare.
Sangiovese Rosé
Italian “Rosato” wine often comes from the Sangiovese grape, which gives this varietal a darker hue than some competitors and makes it a robust and spicy wine with plenty of red fruit flavour. There’s no better partner for Sangiovese rosé than pizza (especially grilled pizza).
Tempranillo Rosé
Spanish Tempranillo (also grown in the US and South America) has an almost savoury quality to it, which gives this medium-bodied rosé an advantage where food friendliness is concerned. Enjoy it with anything from grilled meats to tacos to seafood to Spanish classics.
Sparkling Wines
Champagne
Champagne isn’t the only type of sparkling wine — there’s also Crémant, prosecco, cava, and Lambrusco. Yulia Naumenko/Getty Images
Some drinkers use “Champagne” as a catch-all term for “sparkling wine,” but the only wines that can truly claim the Champagne name must be produced in the Champagne region of France from grapes grown there. You can use white grapes to make a Champagne (called a “blanc des blancs”) or red grapes (a “blanc des noir”), but either way, you’ll end up with a phenomenal bottle packed with citrus notes, a bit of yeastiness, and a prominent fizz.
Crémant
Not all sparkling wines produced in France fall into the Champagne category. If a wine is made using the same techniques as Champagne but isn’t from the Champagne region, then it’s known as a Crémant. Crémants boast many of the same flavour characteristics as Champagne, but they can often be purchased at a far lower price, making them one of the best bargains in the wine world.
Prosecco
These once-obscure sparkling wines of Venice now claim a major share in the wine market, and these Italian sparklers are bright, crisp, fresh, and very reasonably priced. Drink with a cheese and charcuterie board for a great start to a fun evening.
Cava
Cava, the sparkling wine most closely associated with Spain, uses the same production process as Champagne, but it’s made with a different range of grapes. The result is a dry and lively wine with a pleasant minerality — an almost flinty taste that comes from the soil where the grapes are grown. In fact, this minerality makes Cava a smart pairing choice for creamy dishes and sauces, since the wine has enough fortitude to cut through those weightier ingredients.
Lambrusco
All of the sparklers listed above are whites — even the Champagnes that are made from red grapes. But you can also find sparkling reds, a great example of which is a Lambrusco. Lambrusco comes from Italy and is made from grapes of the same name. It can be either sweet or dry, but all versions have a relatively light body and a potent fizziness that makes it a whimsical choice for pizza or pasta night.
Fortified and dessert wines
Port
Fortified and dessert wines include Port, Sherry, Madeira, and Moscato. Westend61/Getty Images
One of the most popular sweet wines on the market, Port takes its name from its country of origin, Portugal. It’s a fortified wine, which means that it has a distilled spirit added to it, upping its alcohol content. Port comes in four different varieties: Ruby (a red Port), Tawny (a barrel-aged Port), White (a Port made with white grapes), and Rosé (a Port made the same way a typical rosé wine would be made). Bold cheeses, BBQ with a sweeter glaze, and, of course, desserts all pair beautifully with Port.
Sherry
Like Port, Sherry qualifies as a fortified wine. It comes from the Andalusia region of Spain, and while all Sherry undergoes some level of ageing, darker versions (like Oloroso Sherry and Amontillado Sherry) spend more time in the barrel than lighter versions (like Fino Sherry). Sherry can be drier than other fortified wines, which gives it more food flexibility. It works just as well with an appetizer spread as it does with dessert.
Madeira
Madeira, a fortified wine from a Portuguese island off the coast of Africa, bears many similarities to Port and Sherry. It often features nutty flavours and a hint of caramel, along with fruit notes like orange and peach.
Moscato
A sweet Italian wine made from the Muscat Blanc grape, Moscato can be either still, sparkling, or semi-sparkling (with a lighter level of effervescence). The most popular Moscato, known as Moscato d’Asti, falls into the latter category. Moscato’s pronounced but not overwhelming sweetness lets it pair nicely with spicy dishes, savoury cheeses, and fruit-based desserts.
Insider’s takeaway
At the end of the day, a “good wine” is any wine that you enjoy. Spending serious bucks on high-end bottles isn’t necessary for a great tasting experience, but a bit of know-how will help simplify your shopping and will increase your chances of ending up with a wine that’s exactly what you want to drink.
Brian was a consummate presenter of his wines and his varied vineyards in the Marlborough region. His whiteboard diagrams and explanations of how, why and what consummated good wines, grounds, countries differences and weather were educational for us all, helped along by his sense of humour.
He reinforced to us that this year’s vintage was very good, very early and very small. And that this may be good for smaller vineyards as the quality is very good. He also thought we could all benefit from some fine wines being drunk.
It was the 21st vintage for Mahi, and because of COVID all of their vintage staff were from NZ!
Brian also had his son Max back from a winery in New York to do his first full crush here at his winery, which was very special for them both.
Because of COVID and the increase of wine consumption at home worldwide (in the developed world), Marlborough went into vintage with hardly any available wine and after a vintage that was down by possibly 30% there will be a supply problem, perhaps for a couple of years, depending on the weather this year.
Our tasting on the evening involved vertical tastings, which was something different for us and most interesting. Wines tasted during the evening were:
2020 Mahi Marlborough Rose’ – welcome tipple
2019 Mahi Marlborough Sauv Blanc
2019 Mahi Boundary Farm Sauv Blanc
2019 Mahi Marlborough Chardonnay
2017 Mahi ‘Twin Valleys’ Chardonnay
2016 Mahi ‘The Trine’ Chardonnay
2019 Mahi Marlborough Pinot Noir
2019 Mahi ‘win Valleys’ Pinot Noir – pre-release, not for sale at the moment.
A dearth of grapes this vintage has forced a family-owned winery in Marlborough to turn down a new customer in Europe. But it’s not just the smaller operations struggling. One of the biggest players in the global drinks industry, Pernod Ricard, is also reporting it is unable to meet the global demand for Marlborough wine this year, in particular sauvignon blanc, due to the region’s low yield.
One estimate puts the take of sauvignon blanc grapes down 30 per cent against long-term averages, due to early frosts and cool weather during the flowering season.
A Pernod Ricard Winemakers spokesperson said the company was in talks with its partners to determine how it should prioritise supply for customers “in the context of the strong ongoing global demand for the sauvignon blanc category”.
The volume shortage meant the family-owned Marisco Vineyards had to walk away from a deal in Germany to make sure it could supply its long-time customer base.
Marisco Vineyards general manager sales and marketing Siobhan Wilson said the winery, which employs about 80 people, didn’t want to sacrifice one market for another.
“The key focus for us this year is to look after the partnerships we’ve developed over the years … We have a long-term contract with annual supply conversations starting around January-February, which is tricky as vintage happens [March-April].
“So I have to take what our customers would like versus what we have got coming in.”
Marisco started blending this week, so it would have a full picture of what was available, and when, in the next couple of weeks, Wilson said.
New Zealand Winegrowers chief executive Philip Gregan said Aotearoa hit a record-breaking $2 billion in New Zealand wine exports at the end of last year. “Exports to our key international markets have increased beyond expectations over the past 18 months, and we saw an increase of 19 per cent for the first four months of the new export year (July to October 2020), at the same time in 2019.
“We are already seeing supply and demand tension as a result, and we expect that many wineries will face tough decisions on who they can supply in their key markets over the next year,” Gregan said.
And while increased demand and reduced supply might push up prices, Wilson said they had to be careful.
“We are not just going to put the price up because it is in short supply, because next year what happens if we have a bumper vintage, and we’ve got plenty of wine, do you then discount it?
“What is important when you are selling wine, and when you are building a brand, is a consistency of quality and price.
“So, we all have a responsibility to ensure that we sell at a good price and the right price,” Wilson said.
Ongoing labour shortages, due to the closure of New Zealand’s borders and the restricted number of RSE workers, had also piled pressure onto wine companies.
Wilson said they had challenges coming at them every day and a short vintage was just one of them.
“We have got massive challenges in Marlborough getting wine shipped offshore because of the shortages of boats coming in, the restriction of space … and it is all the result of the pandemic.
“At Marisco Vineyards we are really resilient, my team have been working for me for a long time, and they have experienced many challenges over the year, so we just deal with it.
“The key thing is the communication with our customers and being really honest with them about the situation,” she said.
Cellar Club members celebrating the club’s 40th-anniversary wine trip to Wairarapa Feb 2021
It was a brilliant day weather-wise, to travel via train, then bus to Martinborough. The three vineyards that were organised for us to visit, thanks to Gayl’s marvellous efforts, were Nga Waka, Tiwaiwaka and Grava/Alana.
We were divided into three groups, with each group assigned to two of the three vineyards to taste at – for ease of the smaller cellar tasting rooms, and the exuberance of the people attending.
Each of the vineyards was fully welcoming and at the Grava tasting room, if you asked, you could taste the Alana version of the wine being tasted, which was great if you were tasting with a partner.
Grava/Alana
At Grava/Alana where Lunar are the new owners, the vineyards brands are kept very separate. Grava has its vines on the Lake Ferry Road which has gravelly/alluvial soil and Alana’s wines are made from vineyards further in around Martinborough. The wines tasted were:
2018 Sauvignon Blanc – 12 months in oak/12 months in barrel fermented
2020 Alana Pinot Gris
2016 Riesling [also tasted the 2016 Alana Riesling]
2017 Alana Pinot Noir
2018 Pinot Noir
2017 Late Harvest – Sauvignon Blanc harvested mid-May
Nga Waka
At Nga Waka – where the new American owners are stuck in Nevada – the wines tasted were:
2020 Sauvignon Blanc – planted in 1988/89, the first wines made in 1993
2019 Chardonnay – fermented in oak barrels for 10 months
2019 Rose – from Pinot Noir grapes
2018 Pinot Noir
Tiwaiwaka
At Tiwaiwaka the tastings were conducted under the branches of a lovely oak tree. The wines tasted were:
2020 Sauvignon Blanc/Semillon Blend – an excellent surprise to start with 2019 Semillon
2018 Rose
2020 Chardonnay
2018 Pinot Noir
2019 Cabbage Tree Pinot Noir – the second favoured tasting for group B
2019 Merlot
Orders were good for all vineyards and many have been delivered directly to members already, with the delivery of the smaller lots being arranged by Wayne and Murray in the coming days.
The bus driver, Craig, was brilliant and was always where he was needed.
Coney’s
Tim Coney welcoming members for a tasting & celebration lunch
Our tasting and lunch at Coney’s was entertaining, with one of the owners Tim Coney regaling us with his stories of the vineyard, his band and his love of opera (which is where the musical names for the wines come from), and life in general in the Wairarapa.
To accompany the wines each table as served with a small platter of food. The wines tasted during this session were:
2020 Rallentando Riesling
2018 Riesling
2020 Ragtime Riesling
Piccolo Pinot Gris
2019 Foxy Lady Syrah Rose’
2016 Reserve Pizzicato Noir – a gold medal winner made to go with food
The lunch was well-received when served. The train trip to the Wairarapa and back was an added highlight for everyone, with many having never travelled that line before.
Thanks to Gayl and Wayne for your efforts in making this event such a memorable occasion.
Finally, if you are interested in viewing the various photos taken on this wine trip, they are on the club’s gallery page.
